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Genelec 7050BPM Active Subwoofer
The new Genelec 7050B LSE™ subwoofer provides perfect partner to the 8020A for both stereo and surround sound applications. The 7050B extends the LF response down to 25 Hz with amazing bass articulation. This is made possible in such a compact enclosure thanks to Genelec's patented Laminar Spiral Enclosure (LSE™) technology. With 5 main input channels and an LFE channel with 85/120 Hz reproduction bandwidth selection, the 8020A/7050B system fulfills the needs of 5.1 productions. You can also use the 7050B to complement the 8030A monitor.
The 7050B is designed to complement Genelec's 8020A active monitors in stereo and surround applications, and the 8030A in stereo only setup. The subwoofer features a single 8" (205mm) proprietary driver with a 70 Watt power amplifier. It has a frequency response from 25 Hz - 85 Hz (± 3dB), and the ability to deliver short term sine wave of 100 dB SPL in half space at 1 metre. Like all Genelec LSE™ active subwoofers, the 7050B also features extremely low distortion.
The small Genelec 8020C has been designed for monitoring in difficult listening environments, particularly those compromised by lack of space. However, size is no handicap to performance as the 8020C two-way active monitoring system incorporates Genelec's acoustic design innovations to minimise all forms of distortion. Our Intelligent Signal Sensing (ISS) feature, reduces power consumption to less than 0.5 watts by automatically switching the active monitor to standby, when no audio signal has been detected for some time. When it receives an audio signal again, the loudspeaker turns back on. ISS is fully compliant with the latest EU requirements and the ErP 2013 Directive for electronic devices.
Each monitor features a 105 mm (4 inch) bass driver along with a 19 mm (3/4 inch) tweeter loaded into a new advanced Genelec Directivity Controlled Waveguide (DCW™). The free field frequency response is 66 Hz to 20 kHz (± 2.5 dB). Maximum peak SPL output per pair with music material is 105 dB at 1 m. Bass and treble are each powered by 20 watt amplifiers.
8020C can be combined with the 7050B Laminar Spiral Enclosure (LSE™) subwoofer to provide a powerful, bass-managed and wide bandwidth surround sound monitoring system. The 8020C has a die-cast aluminium Minimum Diffraction Enclosure (MDE™), which features relatively large internal volumes; softly curved edges and outstanding mechanical strength.
As a result, the imaging accuracy and low frequency extension with such a compact enclosure are truly astounding. The 8020C also incorporates the advanced Directivity Control Waveguide (DCW™), which provides an amazingly smooth on and off axis response; while the long, curved reflex port ends in a wide flare for excellent bass articulation.
Focusrite Scarlett 18i8
The new Focusrite Scarlett 18i8 18-in/8-out audio interface further extends the popular Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high quality inputs and outputs for multiple recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with ADAT expansion capability enabling it to handle larger recording requirements. Scarlett 18i8 works on Mac, PC and iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48v phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic pres like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue I/O have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of DAW and recording applications on Windows®, Mac® and now iOS® recording apps.
Focusrite Scarlett 6i6
The Focusrite Scarlett 6i6 is a 6 in / 6 out audio interface that connects to your PC, Mac or iPad via USB 2.0. It has two award-winning Focusrite microphone preamplifiers, which deliver superb quality recordings from microphones and instruments, straight into your computer or iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.Scarlett 6i6 is perfect for producers, recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, 6i6 is great for recording vocals, guitar and a stage piano simultaneously. With the four balanced outputs, connect up to two sets of stereo monitors, and use the S/PDIF I/O for connecting digital sources. There are also two built-in headphone outputs with separate volume controls so multiple recording artists can listen to the mixes they need to get the best take. The inputs and outputs feature precision 24 bit A-D, D-A conversion at up to 96KHz in order to get the most accurate signal possible into and out of your computer.The outer case is a tough aluminium extrusion, which protects the components inside. There is a large main monitor control knob as well as two dedicated gain knobs for each mic input, each with two colour ‘gain halos’ which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can switched-in to cope with high-level inputs. Each analogue input and output has its own dedicated socket.Scarlett 6i6 works with Mac, PC and iPad (using an Apple camera Connection Kit - available separately from Apple). It comes with a bundle of included software. Scarlett MixControl is a software control panel for routing the inputs and outputs, and accessing additional features on the hardware. It also comes with Ableton Live Lite: revolutionary production and performance software that can be used to record and playback audio in a totally unique way. The Scarlett Plug-in Suite is also included, supplying EQ, compression and reverb to professionalise your mixes. It also comes with the Novation bass station soft-synth and a Loopmasters sample pack.
Neumann TLM49 Studio Set
Le TLM 49 est un microphone de studio à grande capsule, pourvue d'une directivité cardioïde, et offrant un son d'une chaleur spécifiquement optimisée pour les voix. Il est livré complet, avec une suspension élastique. Sa conception est inspirée par les microphones M 49 et M 50 – des modèles légendaires des années 50. Naturellement, le TLM 49 possède la finition typique Neumann, nickel mat. Sa personnalité sonore est également orientée vers celle du M 49 et du U 47. Alliant un look rétro et une technologie éprouvée de circuit de sortie sans transformateur audio, spécialité Neumann, ce microphone assure un niveau de bruit propre très bas, ce qui permet d'utiliser des valeurs de gain élevées.
Tout au long de la phase de développement de ce microphone, la personnalité sonore a été affinée au fil de tests approfondis de mise en pratique – afin d'optimiser le TLM 49 pour l'enregistrement de chant et de voix. Toutefois, il convient aussi parfaitement à des applications de prise de son d'instruments en studio professionnel et dans les home studios exigeants.
La capsule du TLM 49, d'une construction spécifique, possède une directivité cardioïde, tendant vers la supercardioïde. Comme le M 49, ce micro est plus directif dans les aigus. Le diamètre de la capsule est de 34 mm. L'avant du microphone est repéré par le logo Neumann rouge placé sur le corps du microphone. La capsule est orientée de façon à faire face à la source sonore lorsque le microphone est tenu debout (incidence latérale).
Le TLM 49 utilise la célèbre capsule K 47, qui était également utilisée dans les modèles M 49 et U 47. Sa courbe de réponse est linéaire jusque dans le haut-médium ; au-delà de 2 kHz, elle présente une légère bosse de présence, culminant à 3 dB. La capsule est protégée par une grille de dimensions généreuses, d'une grande ouverture acoustique, donc d'une impeccable neutralité sonore.
Les lettres TLM constituent l'abréviation de “TransformerLess Microphone” (microphone sans transformateur). La technologie TLM remplace en effet le transformateur de sortie habituel par un circuit électronique. Comme les transformateurs traditionnels, ce circuit assure une réjection efficace du mode commun, et évite les interférences radio qui peuvent venir polluer le signal audio symétrique. Les signaux de bruit de fond qui peuvent survenir sur la ligne symétrique de transport du signal sont par conséquent supprimés efficacement. Le microphone supporte sans distorsion des niveaux de pression sonore allant jusqu'à 129 dB, et assure une gamme dynamique de 117 dB (pondérée A).
Toute la structure interne est montée de façon élastique, afin d'éviter la transmission de bruits par voie solidienne. De plus, la capsule est montée sur une suspension antichoc en caoutchouc. Grâce à sa réponse en fréquence étendue, le TLM 49 peut également transmettre des signaux de fréquence extrêmement basse sans coloration. Bien sûr, cela signifie que le microphone est également sensible à des bruits parasites situés dans ce registre, comme par exemple les vibrations et les bruits d'air. Par conséquent, le TLM 49 est livré avec la suspension élastique EA 3, qui protège efficacement le microphone des vibrations solidiennes. Si le microphone est utilisé en extrême proximité, vous pouvez utiliser un écran anti-pop PS 15 ou PS 20, placé devant le microphone, pour assurer une protection contre les plosives.
The ADI-2 is a both compact and extremely flexible 2-Channel Hi-End AD/DA-converter. The small 9.5" unit offers top notch AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected! Key features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and its capability to run on a wide range of power supplied.
• 1 x Stereo Analog I/O
• 1 x ADAT or SPDIF I/O (optical and coaxial, AES/EBU compatible)
The ADI-2 is equipped with a balanced stereo line input via two Neutrik XLR/phones combo jacks, a balanced stereo line output with XLR plus separate and simultaneously active phone jacks, as well as an adjustable headphone output. The analog inputs and outputs use the same circuit design as RME's famous ADI-8 DS, guaranteeing outstandingly low noise and distortion. Three different settings for the input and output levels each provide perfect compatibility on analog domain. A further highlight is SteadyClock(TM), a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 uses the latest generation of AD/DA-converters capable of up to 192 kHz sampling frequency at S/N ratios up to 119 dBA.
But the ADI-2 has more to offer than tremendous sound, it also gives you exciting digital connectivity. Its transformer-balanced coaxial (RCA) SPDIF I/O has switchable Channel Status to make it fully AES/EBU compatible. The optical TOSLINK I/Os can handle up to 192 kHz and also serve as ADAT I/O with up to 96 kHz sample rate. You can even use SPDIF input and ADAT output or vice versa in AD/DA mode. The clear layout and the distinct labeling of the front panel with its functional buttons, the informative status displays, a 6 LED level meter as well as the tidy functional back panel make it easy to operate the unit right out of the box. Protective rack handles and a strain-relief for power cord and audio cables are further useful details that make the ADI-2 even more unique.
Following the 'Universal Power Supply' philosophy of RME's Digiface, Multiface, QuadMic und OctaMic, the ADI-2 comes with an external switching power supply. The unit's additional internal switching power supply has been specially designed and optimized for audio applications. It accepts any voltage from 7 to 30 V, be it AC or DC, and even runs on batteries and rechargeable batteries.
Tascam 202 MKV Cassette Deck
TASCAM's 202mkV dual cassette deck is the only choice for professional studios, houses of worship and other installations needing reliable cassette performance. The two twin-head decks can be used for recording or playback, and Dolby noise reduction is provided (types B and HX Pro). The 202mkV can be used as a normal or high-speed dubber, and even sync reverse dubbing is provided.
New on the mark V model are a return to zero feature and A-B repeat, which can playback a section of tape up to 20 times. Deck 1 still has ±12% pitch control, and a front panel microphone input is available for convenient recording. Rely on TASCAM's 202mkV for consistant cassette recording you can mount in any rack.
Propellerhead Reason 7 Upgrade French
This is an Upgrade license for Reason 7. The latest incarnation of the world’s favorite music software brings a slew of enhancements to help you create more and better music—and have even more fun doing it. Whatever your music needs, Reason has a rack for that.
The Reason rack has seen an exponential growth over the last few years with the introduction of unlimited audio recording, studio grade mixing tools, and support for third party instruments and effects. With Reason 7, we continue that expansion to let you take your mixing to the next level, to place Reason at the heart of your studio, and to continue to inspire you in your music making.
With instruments that are easy to use, infinitely tweakable, and with a sound to fit any style, Reason has always offered a wide array of sonic capabilities. Now we’re adding even more to the mix. Reason 7 comes with MIDI out support to bring the sound of your favorite hardware synths and beat machines to the Reason rack. MIDI is handled by the new External MIDI Instrument device, fully integrated into the Reason environment. Automating MIDI equipment from Reason’s sequencer or even from control voltages in the Reason rack is a breeze to set up.
With Reason 7 you have more creative control over your audio recordings. Record your instruments and let Reason automatically slice the recording into single notes or hits. Use it to quantize an audio take, to tweak your timing to perfection, or to drastically change the recording by going all creative with Reason’s fantastic time stretch. The sliced up audio can also be converted to REX files for playback and further treatment in Reason’s Dr. Octo Rex Loop Player, Reason's samplers, or the Kong Drum Designer.
With its studio‑grade mixing console, Reason was already a mix engineer’s dream. Reason 7 adds several new ways to make mixing your songs better and easier. Reason users tend to spend a lot of time exploring and tweaking sounds in the Reason rack, so the most important mixing controls like level and pan are now available in the rack too, always close at hand. This means less jumping about in the program and more focus on your music.
The new bus channels make it easy to group your tracks, and even group your mixer groups to process them together. Create parallel channels with a single click for separate processing—for quick New York style parallel compression and other tricks used by leading mix engineers today.
For increased control of your mixes Reason now has a built‑in spectrum analyzer window, giving you instant visual feedback on the selected channel or bus. The new Spectrum EQ window combines a powerful spectrum analyzer with a graphic EQ overlay controlling the mixer’s renowned EQ. Easily adjust the EQ on your tracks from anywhere in the program.
Users tell us again and again that two of the most important aspects of Reason is that it is fun and inspiring. As a creativity boost, Reason 7 comes with Audiomatic Retro Transformer—a future‑retro effect unit with plenty of personality. Add Audiomatic to any channel or group and select a snapshot to instantly change the sound of your track. More details about the Audiomatic Retro Transformer are coming soon.
Reason 7 also comes with an expanded sound bank that adds a new and powerful section of hard hitting drums loops: big room house, dubstep, and even metal. It’s all there, ready to be thrown into your tracks. For importing your own sound files into Reason, there is now support for more audio import formats, such as mp3, wma and aac to make it easier to grab loops and recordings from your music library or the web.
Native Instruments Komplete 9 Ultimate Educational 5-Pack
The entire range of KOMPLETE Instruments and Effects in one uncompromising bundle – the last word in NI excellence. This is the Educational license (5x) for the Ultimate Instruments & Effects collection, for students and teachers.
KOMPLETE 9 ULTIMATE delivers the entire range of 65 KOMPLETE Instruments and Effects in one package* – premium sonic tools with unrivalled power for production, composition, live performance, and sound design. Get KONTAKT 5, REAKTOR 5, and GUITAR RIG 5 PRO, plus the monosynth MONARK and the re-designed BATTERY 4. You'll also get SCARBEE RICKENBACKER® BASS, ACTION STRINGS, SESSION HORNS, ABBEY ROAD VINTAGE DRUMMER, and DAMAGE for truly limitless possibilities. And the REVERB CLASSICS, PREMIUM TUBE SERIES, and SOLID MIX SERIES deliver a complete studio effects suite. From initial idea to finished production, KOMPLETE 9 ULTIMATE is all you need.
KOMPLETE 9 ULTIMATE weighs in at 370 GB of premium sound content – which is why it comes on its own dedicated USB 2.0 drive. Easily install KOMPLETE 9 ULTIMATE to your chosen internal or external drive without the lengthy DVD installation process.
KOMPLETE Instrument and Effects integrate perfectly with MASCHINE and MASCHINE MIKRO. Open all KOMPLETE Instruments and Effects (or any other VST or AU plug-in) in MASCHINE’s intuitive workspace and exponentially expand your production possibilities with total hands-on control. Browse your entire instrument library directly from MASCHINE, then instantly start tweaking and automating performances via the hardware – an immediate, expressive way to play KOMPLETE 9 ULTIMATE.
M-Audio M-Track Plus
At home in the more advanced digital studio, the step-up M-Track Plus is built on the M-Track's foundation, with the addition of coaxial S/PDIF digital input and output jacks on the back panel and a robust metal casing.
M-Track Plus comes equipped with Ignite by AIR music creation software plus Avid Pro Tools Express, complete with the iLok USB key.
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