ROCK PALACE - SONO ...


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 248,-
 248,-
 Behringer XENYX X2222USB How about eight XENYX mic channels with inserts, dedicated compressors, 3-band EQ with semi-parametric mids and three Aux Sends? You get all that with the X2222USB, plus four stereo line-level channels, two convenient mix subgroups and onboard 24-bit digital FX processing, with dual user-addressable parameter controls. All this and more enclosed in a rack-ready, roadworthy steel chassis. XENYX USB Series mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixers come with all the recording and editing software you’ll need to turn your computer system into a complete, high-performance home recording studio.
 75,-
 75,-
 Shure PG56 XLR Performance… The PG56 Snare/Tom Microphone is a compact drum mic for close miking of snare drums, rack/floor toms, and percussion. Shure Performance Gear microphones are affordable and application-specific, ideal for everyday use and practice. They are the perfect introduction to Shure engineering excellence for performers ready to plug in and play out. Performance Gear Microphones provide a complete vocal, instrument, and drum selection and feature many of the same durability and performance attributes of other Shure microphones at an attractive price. Real gear without compromise. As serious as you want to get.
 211,-
 211,-
 Behringer B212D Eurolive One of the coolest things about active loudspeakers is the lack of back-breaking racks of amps, crossovers and EQs that are often required to make passive speaker systems sound almost as good. But that comes with a trade-off — that extra weight is transferred to the loudspeaker, making it difficult for a single user to heave all that mass onto the top of a speaker stand. BEHRINGER's D Series' "Intelligent-Design" merges the best features of active loudspeakers with significantly lower weight by using switch-mode power supplies and Class-D amplifier topology. Hidden deep inside each enclosure is the equivalent of an active 2-way electronic crossover, graphic EQ, parametric EQ, mic preamp, limiter and two Class-D power amplifiers, yet overall weight is less than comparable loudspeaker systems! These components work together seamlessly to provide optimum sound quality — and it all takes place automatically, without you having to touch a single knob.
 129,-
 129,-
 Shure PG52 XLR Performance… A high-performance Cardioid Dynamic Kick Drum microphone tuned to capture low-end punch. Tailored frequency response is smooth and extended. Tuned specifically for kick drum applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
 719,-
 719,-
 Allen Heath ZED22FX Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. 16 essential time-delay effects add to the already bulging feature set. The mixer is ideal for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.
 285,-
 285,-
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 Allen Heath ZED10FX ED-10 and ZED-10FX are amazing little desks for small band mixing. They are ultra portable for carrying to the gig, and can be used for recording live or in the studio. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR main stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. In this FX version, we’ve added a set of fabulous effects to give shimmering reverbs and enhance your sound.
 999,-
 999,-
 Bose L1 Compact System Introducing the L1 Compact portable line array system. Carry it in one trip. Set it up in one minute. Fill the room with Bose sound. The L1 Compact system combines conventional PA and monitors into one sleek unit. Positioned behind or to the side of a performer, DJ or presenter, it delivers wide, even sound coverage throughout the stage area and audience—even off to the extreme sides. It's our smallest, lightest, easiest-to-set-up L1 system, weighing just 29 pounds.
 444,-
 444,-
 Mackie SRM350v2 Black Sharing the same new technology that makes the SRM450v2 the breakthrough live performance powerhouse that it is, the ultra-compact SRM350v2 is perfect for when space is at a premium. The SRM350v2 whips live sound into complete submission, giving you more control over your shows than ever. Thanks to its all-new design—from adding new amps and transducers to a new switching power supply—the SRM350v2 surpasses the performance of the original SRM350 to deliver pure studio monitor sound at more powerful, full-on loudspeaker levels. It’s even more lightweight than before, making it ultra-portable.
 345,-
 345,-
 AKG WMS450 Vocal D5 The AKG WMS 450 is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS 450 provides cost-efficient, high-performance solutions for situations where several radio mics will be used simultaneously, including gigs at small clubs, small stages, or regional events. Using several single-channel systems has its limitations and may simply be too much for the available radio band.
 289,-
 289,-
 Mackie TH15A Thump Designed by the same team that produced the best-selling Mackie SRM450v2, the Mackie Thump TH-15A delivers deep low-end and real power in a lightweight design that is extremely portable. Class-D Fast Recovery™ amplification pushes 400-watts of power to the high-frequency compression driver and bass-pounding 15″ woofer. Plus, Mackie Active processing, including a precision crossover and driver time-alignment provides total optimization for maximum system efficiency. Versatile by design, the TH-15A features a user-adjustable 3-band EQ for tone control and, since it can be pole-mounted or used as a wedge, the TH-15A represents the best value available for a complete stage solution.
 399,-
 399,-
 Shure Beta 27 The Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording applications. Its flat frequency response and low self-noise provide unerring performance in demanding environments. A tight supercardioid pattern ensures high gain-before-feedback and maximum isolation from other sound sources.
 192,-
 192,-
 Behringer XENYX X1222USB The X1222USB is a step up from the X1204USB with six mono mic inputs. These two additional channels can also be used for stereo line-level devices, such as keyboards or sound modules. The X1222USB also comes equipped with channel Inserts for inputs 1-4, a stereo 7-band graphic EQ, which can be assigned to the main or monitor buses, and our proprietary FBQ Feedback Detection System. Other features include full-sized faders for MON and FX SENDs, our XPQ 3D stereo surround effect (creates a broader, enhanced stereo image), and a handy Voice Canceller function for removing vocals from pre-recorded tapes and CDs for “instant-karaoke” applications. XENYX USB Series mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixers come with all the recording and editing software you’ll need to turn your computer system into a complete, high-performance home recording studio.
 37,-
 37,-
 Behringer XENYX 502 Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply excellent XENYX 502, the BEHRINGER mixer with everything you need to give an intimate setting incredible sound. And with the new addition of +48 V phantom power, the possibilities are even greater. The 5-input, 2-bus XENYX 502 with XENYX mic preamp can accommodate either a dynamic or condenser microphone. The two-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs. Weighing in at 1.2 pounds (0.55 kg), the XENYX 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, coffee shops and songsmiths the world-round agree this mighty mite is a high-fidelity lifesaver. Lending optimum sound quality to small-scale performances has never been this easy or affordable. The XENYX 502 provides incredible versatility at a price other mixers in this class simply cannot touch.
 699,-
 699,-
 Electro Voice ZX3 The Electro-Voice® ZX3 offers an unprecedented level of lightweight, 12-inch, two-way, loudspeaker performance for the widest variety of portable and installed applications. Featuring the new DVX3121 12-inch woofer and the ND2 neodymium compression driver, the ZX3 continues the groundbreaking innovation of the EV DVX woofer program, joining the ranks of EV's ZX series between the eight-inch ZX1 and the 15-inch ZX5. When it comes to problem and solution versatility, the ZX3 is in a class of its own. In addition to the highest performance drivers available, a complete range of optional accessories, including the CB-5 array kit, MB3 wall and ceiling-mount bracket, HA-3 handle adapter for use with the VSA-1 strong arm mount, and TCA-1 truss clamp adapter allow the ZX3 to be easily and precisely configured in multiple box arrays, mounted on trusses or tripods, deployed as monitors, or used as system mains with a subwoofer.
 295,-
 295,-
 Electro Voice ZX1 The Electro-Voice® ZX1 is a high-performance, compact loudspeaker with a lightweight, durable, high-tech enclosure. The ZX1's enclosure geometry has been engineered to provide maximum rigidity and acoustic performance. The velocity compensated port design overcomes the limitation of many small loudspeakers and enables exceptional low-frequency response without vent noise. The ZX1’s long excursion, high-output, eight-inch woofer with weather-treated cone delivers smooth, low-frequency performance with exceptional reliability. A sophisticated crossover network integrates the ZX1 with the EV DH2005, a one-inch, exit-true compression driver with extended frequency response and high-output capability. Full-bandwidth overload protection is provided for reliable, long-term operation without audible effect.
 2499,-
 2499,-
 Dynacord DLite PowerSub 315 The active 15” subwoofer PowerSub 315 with four integrated digital power amps provides total output power of 2000W and has been designed for the quick and easy set-up of subwoofer satellite systems.
 1655,-
 1655,-
 Dynacord DLite PowerSub 312 The PowerSub 312 active 12“ subwoofer, which is equipped with an integrated three-channel power amplifier with a total output of 1300W, was specially conceived to permit the swift and simple creation of a subwoofer satellite system, for which purpose all that is needed is to connect two passive (e.g. DYNACORD D8) loudspeaker systems to the Speakon outputs of the PowerSub 312.
 1150,-
 1150,-
 Dynacord DLite Sub 115 DYNACORD´s SUB 115 is a vented direct radiating cabinet, equipped with the high-power Electro-Voice EVS15S transducer. The new High-Speed-Laminar-Vent system (patent pending) shows signifi cantly less distortion and lower air noise at low frequencies than common vented cabinets. The SUB 115 has the same dimensions and cosmetics as the powered PowerSub 315 and can directly be connected to the PowerSub 315 for an extended bass fundament. For this application you have to shift the PowerSub 315’s ‘mode switch’ to the position ‘internal+external 2*500W’.The SUB 115 contains a passive fi lter that suppresses high frequencies. Appropriate fullrange cabinets, e.g. DYNACORD’s D12, can therefore be directly connected in parallel to the SUB 115 if an extended bass reproduction is required. You just have to connect the SUB 115 and the fullrange cabinet with a regular Speakon cable. The cabinet is equipped with an electronic circuit called voice coil tracking protection. This circuit senses the terminal voltage of the transducer and simulates the thermal behaviour of the woofer´s voice coil. In case of potential thermal overload the power applied to the speaker is reduced to a safe level. Extremely powerful amps can be used in order to have maximum dynamic range without the danger of thermal overload in non-controlled situations. The voice coil tracking protection exhibits “soft” switching characteristics, so no annoying clicks or pops are audible. The circuitry automatically resets after the voice coil temperature has reached a safe value.
 467,-
 467,-
 JBL JRX118S The JRX118S is an 18" compact direct-radiation subwoofer designed to supplement and extend low frequency performance of full-range systems in live sound and music playback applications. The JRX118S is driven by a massive JBL 18" woofer with a cast frame and 3" voice-coil. It’s rated at 350 watts (continuous) and 1400 watts (peak) – based on JBL Professional’s 100 hour extended life test.
 599,-
 599,-
 Dynacord SL1200 Stable 2 x 600 W Output Power, Class AB Topology, 2 HU. These amplifiers offer high, stable power output and a high efficiency factor on the high performance level and are therefore the ideal choice for driving a multitude of mobile and club systems. SL series power amplifiers are equipped with a comprehensive protection package and dynamic limiters. The integrated, switchable Low-Pass Notch filter (a typical DYNACORD special feature) corrects the frequency response and optimizes the transient behaviour of loudspeakers.
 945,-
 945,-
 Dynacord CL1200 The new Compact Linear Precision Series power amplifiers combine outstanding audio performance with maximum reliability and operating security as well as being markedly lighter than equivalent power amplifiers. Through the use of an optimized power supply with low dispersion toroidal transformers as well as of Class H technology (CL 800 Class AB), a large amount of headroom above the specified nominal output has been achieved along with a considerable reduction in weight and thermal leakage. Dynacord CL Series power amplifiers satisfy all the criteria for punishing on the road use. They are reliably protected against overheating, overload and short-circuits as well as high frequency and DC at the output. The soft start function employs relays to insert a delay between switching on the device and the activation of the power outputs. A further circuit limits the current on power-up, there-by protecting the mains fuses. DYNACORD amplifiers constantly monitor the input versus the output signal by means of super-fast audio processors which send, in case of non-linear operation, control parameters to the limiters. The limiters are thus operating dynamically and do not affect the amplifiers dynamic capabilities as they control the input gain level. Thermal stability is provided by a 3-stage fan with a very low noise level. The inputs are electronically balanced and implemented on XLR connectors, whilst direct outs for looping the signal are also standard. Input routing permits the choice between Mono and Stereo modes. Mono bridged mode is also easy to realize thanks to the separate Bridged Out connectors and the Bridged Mode switch.
 685,-
 685,-
 Electro Voice Q99 The Q99 is based on a compact, highly efficient Class-H design. Delivering 2 x 900 W @ 4 Ohms and 2 1500 W @ 2 Ohms, the Q99 can deliver as combined top & sub drive for most club-sized systems, such as Tour X or QRx.
 299,-
 299,-
 TC Helicon VoiceTone Synth Finally, the effects you’ve heard on chart topping tracks from artists pushing the envelope of vocal sounds are available in a pedal. VoiceTone Synth brings together a collection of exotic and current sonic mayhem including jagged HardTune effects, a MassiveBand Vocoder with voice-controlled synth and vocal distortion and megaphone effects. Now vocalists and anyone looking to add a modern edge to their live performances and studio productions can dial-in these effects instantly with the press of a footswitch. The jagged, stair-stepped vocal sound of key-based hard tuning is everywhere in contemporary R&B, Hip Hop and Electronica. This feature has eluded the majority of performing musicians until VoiceTone Synth came along. Now musicians can produce this effect live by simply recalling a preset and hitting the ‘On’ button. Easy key input methods include auto-instrument sensing or pushbuttons with a clear display of the current key. Other features of the HardTune effect include dry voice mixing, octave shift and character modification. The vocoder in VoiceTone Synth is called ‘Massive-Band’ for a reason. It effectively scales resolution from ultra-clearly-enunciated Robot voices to the sound of the classic, analog low-band-count vocoders we all know and love. The benefit is that, while typical vocoders require a lot of pre-processing like distortion and EQ to hear the effect properly, with the VoiceTone Synth vocoder effect you can input signals such as clean acoustic guitar and vocode perfectly for sounds that until now have been impossible to achieve. The Vocoder also features a voice-controlled synth mode – considered by many as the Holy Grail for vocoding. Prior to VoiceTone Synth, vocoding required your voice (the exciter), and an instrument input (the carrier) to make cool vocoded sounds. Of course VoiceTone Synth supports the dual input method, but for artists who don’t have another instrument or don’t play one, VoiceTone Synth can generate a synth part directly from your vocal and vocode that. The result? Generated vocoder parts with one input: your voice.
 206,-
 206,-
 Sennheiser E 902 La réponse en fréquence du e 902 a été optimisée dans les très basses fréquences, ce qui fait de ce microphone dynamique cardioïde un choix idéal pour les grosses caisses, les amplificateurs de basses électriques, les tubas et autres instruments au registre riche en graves.
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