ROCK PALACE - STUDIO ...


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 99,95
 99,95
 MotorheadPhones Bomber Head… Bomber is designed for the person who still wants their headphones ‘over the top’ of the head, but lighter still. Motörhead-proof and tour safe, these bastards stand and deliver. We are very proud of the true warm sound that Bomber has, and they are perfect for all music, especially music that happens to have big guitars, fat drums and rumbling bass. These high quality headphones have extra powerful 30mm speakers that can take stand six times the standard amount of power. These headphones deliver everything louder than anything else! With Bomber you get our own Controlizer, a smartphone ready microphone/controller which can adjust the volume, pause, play, play forward, fast forward and rewind, fast rewind, answer, hang up, put on hold, switch between calls, voice control, take photos and videos. Whether you can enjoy functions depends on your model of smartphone. Bomber has a 1.1m, woven cable and of course the cable is single sided as on all professional headphones.
 119,-
 119,-
 MotorheadPhones Iron Fist H… These over-the-ear, over-the-standard headphones, are for the person who wants a mighty punch with slightly less heft on the head! Equipped with 40mm high quality, special made speakers, they pack the bass without losing the clear mid-range and distinct high. With the knowledge of using studio headphones for decades, we have made the mid and the high frequencies so clear you easily can separate the instruments from each other. Thanks to this you can enjoy the music as professional musicians do in the studio, but bring their slightly more compact size to the street with ease. Iron Fist is delivered with both a 1m cable for mobile music players and a 2.5m cable for listening at home or where you find it comfortable. The cable is woven and of course single sided as on all professional headphones.
 59,95
 59,95
 MotorheadPhones Overkill Ea… Overkill are all metal earphones that give you high quality audio at the fullest spectra. From warm low end, low mid range that gives body to the sound, all the way to clear mid range and distinct high range sounds. Even if you fill these with tons of juice they will not crack-up. Overkill is specially made for smartphone use, and these earphones come with microphone and music controller. With the controller you can answer, hang up, pause and play the music, also play forward and rewind.
 49,95
 49,95
 MotorheadPhones Trigger Ear… These little bastards will deliver all warm low end that you can imagine, clear mids and well defined high end. To make them Motörheadproof, all parts are made of the most durable Swedish metal. We use a right angled metal connector. It take less space, it’s tougher for you to break your music player and it is more durable. Choose which finish that matches you the best, brushed metal, metal black or brass.
 329,-
 329,-
 Moog MF101 Moogerfooger Low… The award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal. Now in a very limited White edition. The moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpass Filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1/4" jacks are provided for audio input and output, pedal/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.
 329,-
 329,-
 Moog MF102 Moogerfooger Rin… The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator, and voltage-contolled dual-waveform LFO. It can be used to process any instrument-level to line-level signal. A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in it's use - you decide!
 375,-
 375,-
 Moog MF103 Moogerfooger 12-… The MF-103 12-stage phaser is a direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. It contains two compete modular functions: a 6 or 12-stage phaser with resonance control, and wide range LFO with amount control. The 12-Stage Phaser's control parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All of these parameters can be controlled by the great feeling knobs that beg to be tweaked as well as expression pedals or external control voltages. Panel switches select ranrge of LFO Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. The heavy-duty yet smooth-acting bypass switch allows tabletop or floor use.
 569,-
 569,-
 Moog MF105M Moogerfooger Mi… How many times have you wondered, "Why aren't there any NEW effects?" Whether you play guitar, bass, keyboard, make beats, or work in the studio - most effects boxes are based on the same old classics. The Moogerfooger MF-105 MuRF is the antidote to generic, boring effects. MuRF stands for "Multiple Resonance Filter Array". What this means is the MuRF has 8 filters - their levels are controlled by 8 sliders. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant. What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix. Now in very limited White edition!
 409,-
 409,-
 Moog MF107 Moogerfooger Fre… The MF-107 FreqBox is different from other effects – the effected sound is not a processed version of your input signal, but the sound of the input signal modulating an internal oscillator. It contains a VCO with continuously variable waveshape, and the capacity to modulate that Oscillator in the following ways: the VCO can be hard synced by the input signal, the VCO can be frequency modulated (FM) by the input signal, the VCO frequency can be modulated by an envelope follower which tracks the dynamics of the input signal, and the Amplitude of the VCO also tracks the dynamics of the input signal. Hard sync is a classic analog synthesis technique where the start of an oscillator’s cycle can be reset by another. The oscillator being synced takes on the frequency characteristics of the other oscillator, and when its frequency is swept, it reinforces the harmonics of the fundamental frequency. In the case of the FreqBox, the input signal is used to reset the FreqBox’s VCO. FM is a technique used to get really rich sounds from simple waveforms. The type of FM used in the FreqBox is linear FM. Sounds range from gong or bell-like tones to sizzly sweeps. The FreqBox, like all moogerfoogers, works with any instrument to line-level input. In addition to the panel controls there are control inputs for use with expression pedals or control voltages and control outputs for interconnecting moogerfoogers like you would a modular synth.
 625,-
 625,-
 Moog MF108M Moogerfooger Cl… Don’t be fooled by the Chorus/Flange switch. While the Cluster Flux can conjure up a monstrous Jet Flange and sparkling Chorus sound, it also can transport you straight into another dimension. Create an array of unique sounds with 6 wave shapes (Sine, Triangle, Square, Ramp, Reverse Ramp and Sample and Hold). Each shape is the foundation for a completely different musical inspiration. Tap in the tempo of your LFO via the TAP TEMPO button, or sync the Cluster Flux to a MIDI clock. Positive and Negative Feedback allow you a wider range of tones and voicing than you would find in a normal stomp box. These can even be used to drive the Cluster Flux into tuned self-oscillation. Use the Amount and Rate controls for expression and modulation of the delay line. Anything from vibrato to a jackhammer, these controls can make it happen.
 566,-
 566,-
youtube video available
 Steinberg Cubase 7 With more musical features than ever, Cubase 7 delivers a truly unrivaled creative production experience. Sparkling with its entirely overhauled mixing console, a new Chord track alongside the innovative Chord Assistance, advanced VariAudio, more instrument content and an array of enhancements make Cubase 7 smarter and faster in every way. Spatious orchestral arrangements, experimental indie pop, floor-filling electronic music or enthralling metal — Cubase offers dedicated tools for all of these musical genres and many more. The world's most popular DAW lets you record, edit and mix your songs like a musician, while providing you a professional, studio-grade audio quality at all stages of the creative process.
 299,-
 299,-
 Steinberg Cubase Artist 7 Cubase Artist offers a range of proven editing and sequencing tools based on the same core technologies used and appreciated by musicians around the world. With an easy-to-use interface, unsurpassed performance and inspiring instruments and effects, Cubase Artist remains unmatched in its price range. This Cubase version is simply the perfect choice for talented newcomers and seasoned musicians.
 149,-
 149,-
 Steinberg Cubase Artist 7 U… Cubase Artist offers a range of proven editing and sequencing tools based on the same core technologies used and appreciated by musicians around the world. With an easy-to-use interface, unsurpassed performance and inspiring instruments and effects, Cubase Artist remains unmatched in its price range. This Cubase version is simply the perfect choice for talented newcomers and seasoned musicians. This is an update from the earlier version Cubase Artist 6.
 179,-
 179,-
 Steinberg Cubase Artist 7 U… Cubase Artist offers a range of proven editing and sequencing tools based on the same core technologies used and appreciated by musicians around the world. With an easy-to-use interface, unsurpassed performance and inspiring instruments and effects, Cubase Artist remains unmatched in its price range. This Cubase version is simply the perfect choice for talented newcomers and seasoned musicians. This is an upgrade to Cubase Artist 7 from Cubase Elements 6/7, Cubase Essential 4/5
 249,-
 249,-
 Steinberg Cubase Artist 7 U… Cubase Artist offers a range of proven editing and sequencing tools based on the same core technologies used and appreciated by musicians around the world. With an easy-to-use interface, unsurpassed performance and inspiring instruments and effects, Cubase Artist remains unmatched in its price range. This Cubase version is simply the perfect choice for talented newcomers and seasoned musicians. This is an upgrade to Cubase Artist 7 from LE/AI 4/5/6/7, Sequ 2/3, SE 3, Studio Case 2
 177,-
 177,-
 Behringer Xenyx Control1USB When it’s time to get down to the business of recording or mixing, the last thing you’ll want to do is crawl under your desk and run cables. The CONTROL1USB gets you off your knees, putting Master Volume, Talkback, Source selection and Monitor control right at your fingertips. Now you can choose from up to three sets of active studio monitors and four different stereo input sources to create powerful, custom monitor mixes. Plus the built-in Talkback mic lets you communicate directly with the talent. CONTROL1USB puts you in complete control... Small knobs make for low precision. Conversely, the bigger the knob is, the higher the precision. Think of a control knob as a circle. On a small circle/knob the distance from one degree to the next is very small, making it difficult to dial-in perfection. On our really big knob, the distance between degrees of the circle is much larger, allowing you to make high-precision adjustments with ease. CONTROL1USB helps you set levels fast and accurately when it comes to your mastering project. The high-quality, built-in USB audio interface lets you connect directly to your computer and its digital library, creating the ultimate sound source control center—no additional hardware required. In the golden age of recording, engineers had to make the mix sound great in just two places, the studio and the car. When you consider the acoustic environments and the equipment used in each, it’s not as easy as it sounds. Today’s computer-based recordings have to sound great in even more situations, such as MP3 players, podcasts and other bass-challenged systems—so experiencing your mix through as many speaker systems as possible is more essential than ever. CONTROL1USB lets you switch between up to three pairs of studio monitors, add a subwoofer, listen through vintage-style small monitors (such as our C5A or C50A), or any other combination at the mere press of a button. We gave the CONTROL1USB enough connectivity to handle just about anything you’re likely to plug in. Four stereo inputs allow you to connect a CD player, MP3 player, computer/ DAW—and even a turntable, thanks to the built-in high-end RIAA preamp. Plus you can connect keyboards, drum machines or anything else you’d like to put through your monitors. CONTROL1USB’s rear panel provides three separate Monitor Outputs with individual Level controls; a computer/ DAW Stereo Output; 2-Track A and B Stereo Outs with Level switches; a Studio Out with Level; Phones Out with Level switch; 4 Stereo Source Ins with Level control; a computer/DAW Mix Input with Level control, with one selectable as a Phono Input for your turntable. You get all this I/O capability plus USB connectivity. No need for a clunky desk stand and an external mic to talk to the guys in the isolation booth. CONTROL1USB’s high-quality, built-in microphone is just a button push away, so you can save your mics for the drum kit. The onboard headphone amplifier section lets you connect 2 headphones with individual level controls, which should make the next session one of your best. We designed the CONTROL1USB to provide many years of super-clean, high-fidelity performance in the most critical listening environment— yours! To that end we only use the finest components, connectors and state-of-the-art surface-mount manufacturing technology to build each one. We test, and then re-test every single CONTROL1USB and back them up with one of the best warranty programs in the industry.
 218,-
 218,-
youtube video available
 Olympus LS-14 Unparalleled recording quality captured by the new Tresmic three microphone system along with enhanced music functions make the LS-14 the perfect companion for any musician. Switch it on, turn the dial and start recording. The eye-catching Olympus LS-14 makes it that simple to record in professional quality. The mode dial lets users choose between the tuner and three recording modes – Quick, Manual and Smart. No volume adjustments are necessary in Quick mode thanks to Automatic Gain Control (AGC) – making it ideal for recording quick memos. In Manual mode, users have complete control of levels – even during recording. The clever Smart mode, meanwhile, automatically adjusts to the best levels to ensure professional results: it detects the maximum volume input during a set time interval and optimises the recording level. Recording then automatically commences once the interval has elapsed. A clear user interface complements these recorders with intuitive icons and multiple screens on the 1.75” (4.45cm) backlit display to ensure easy operation. Superior sound is what you expect from Olympus and the LS-14 upholds this tradition admirably – recording in professional, uncompressed 96kHz/24bit Linear PCM quality, which far surpasses 44.1kHz/16bit CD quality audio, or in the popular MP3 format. The LS-14 incorporates two high performance directional microphones with a frequency response of 60-20,000Hz. It also boasts a “Tresmic” system, which incorporates an improved third, omni-directional mic placed in the centre. The result is a wide frequency range, which extends to as low as 20Hz to ensure natural bass recording. This model supports faithful audio capture up to a sound pressure level of 130dBspl that ensures clipping is not an issue even when recording extremely loud sources. A true companion for musicians, the LS-14 includes a chromatic tuner to keep you in key. Users also have the option to depict waveforms on the built-in screen. This provides the opportunity, for example, to check whether a stable pitch has been played and held over a certain timeframe. Meanwhile, the metronome function, indicated by a flashing LED, will keep you in time. Overdubbing lets users record over a file or section of music while listening to it, which is then saved together as a new file. Furthermore, tracks can be divided and then incremented to assist in getting the track just right – with the LS-14 also enabling on-unit trimming. The LS-14 comes with 4GB, and additionally boast an SD/SDHC slot (up to 32GB) for added versatility. A tripod hole on the back of these units also allows for easy attachment to tripods or the CL2 Stand Clip (included with the LS-14).
 79,-
 79,-
youtube video available
 Roland UA-11 Duo Capture MK2 Versatile Audio I/O for Mac, PC, and iPad. Delivering flexible features in a compact, affordable package, the DUO-CAPTURE mk2 USB Audio Interface is ideal for mobile audio production with your laptop or iPad. It’s equipped with two audio inputs and two audio outputs, plus dual headphone outs that are perfect for side-by-side musician/engineer sessions. Ultra-stable, low-latency drivers offer premium performance, while a versatile selection of I/O formats accommodate a variety of gear. With its unique, slimline design and stable operation, DUO-CAPTURE mk2 is the perfect audio interface for recording musicians on the go. • Small, convenient audio interface for mobile musicians • Compatible with Mac and PC; iPad compatibility via Apple’s iPad Camera Connection Kit • 1/4-inch MIC/GUITAR input with Hi-Z switch for connecting a guitar directly • 1/8-inch stereo input; 1/8-inch and 1/4-inch dual headphone outputs • Dedicated controls for input and output volume • Low-latency ASIO (Windows) and Core Audio (Mac) drivers; input monitor function • USB bus powered • Cakewalk SONAR X1 LE for Windows included
 179,-
 179,-
 Tascam DP006 Compact Digita… The DP-006 is a necessity for all song writers, this pocketstudio is the perfect "Music Sketch Pad" to carry around every where your music takes you. The built-in microphones alow for multi-track recording anytime, anywhere! The DP-006 features 6 tracks to record with (2 mono tracks + 2 mono/stereo switchable tracks), all in CD quality (16bit/44.1kHz). You can record two tracks simultaneously. This compact recorder has two built-in omni-directional condensator microphones for maximum flexibility.
 249,-
 249,-
youtube video available
 Arturia SparkLE SparkLE is the newest hybrid instrument from Arturia that will take your beat creation to new levels. By combining the amazing sounds, work flow and creative tools of the Spark Engine software, with the high quality SparkLE controller, Arturia has created the ultimate beat creating powerhouse. The SparkLE hardware and the Spark Engine software make up a sophisticated beat creation environment that gives you a hands on, inspiring and unique way to create patterns, sounds and live performances. It is simple to use and create on but without sacrificing the depth of editing and tweeking that you need to polish your tracks to perfection.
 149,-
 149,-
 Tascam US-322 The US-322 and US-366 are the next line of interfaces from the leading professional and home recording manufacturer, TASCAM. These interfaces combine compelling new technologies like on-board digital mixers (DSP Mixer) and on-board digital effects (DSP Effects) along with advances on the wildly popular US-122mkII and US-144mkII interfaces. The US-322 and US-366 sport similar aluminum casings for the same rugged reliability plus new improved HDDA (High Definition Discrete Architecture) mic pres. These HDDA Mic Pres offer a wider frequency response (10Hz to 68kHz), high S/N ratio (98dB), low EIN (-120dBu) and low THD+N (0.0045%); qualities rarely achieved in interfaces this affordable. These all-new interfaces boast low S/N ratio, low THD and the US-366 flaunts 24bit/192kHz recording; certifying these as the best sounding interfaces to be released by TASCAM yet. The 2-in/2-out US-322 features 1 Mic XLR/Line-Guitar TRS input, 1 Mic XLR/Line TRS input, 2 Line TRS and 2 Line RCA outputs. The 6-in/4-out or 4-in/6-out US-366 adds 2 Line RCA inputs and 1 Digital RCA/Optical input/output. One click of the top-loaded “Mixer Panel” button will access TASCAM’s new mixing console screen and on-board insert/send effects for easy-to-use, versatile recording. The digital mixer offers two operational modes, multi-track mode and stereo-mix mode. After months of organized tests by TASCAM’s esteemed engineers and R&D department, the new TASCAM interfaces are guaranteed to offer new luxuries, reliability and value not found before in competing models. TASCAM’s US-322 and US-366 are bundled with Cubase LE6, feature easy-to-use controls, amazing quality, and feature-rich technology, advantages sure to please professional and amateur recording artists alike.
 174,-
 174,-
 Tascam US-366 The US-322 and US-366 are the next line of interfaces from the leading professional and home recording manufacturer, TASCAM. These interfaces combine compelling new technologies like on-board digital mixers (DSP Mixer) and on-board digital effects (DSP Effects) along with advances on the wildly popular US-122mkII and US-144mkII interfaces. The US-322 and US-366 sport similar aluminum casings for the same rugged reliability plus new improved HDDA (High Definition Discrete Architecture) mic pres. These HDDA Mic Pres offer a wider frequency response (10Hz to 68kHz), high S/N ratio (98dB), low EIN (-120dBu) and low THD+N (0.0045%); qualities rarely achieved in interfaces this affordable. These all-new interfaces boast low S/N ratio, low THD and the US-366 flaunts 24bit/192kHz recording; certifying these as the best sounding interfaces to be released by TASCAM yet. The 2-in/2-out US-322 features 1 Mic XLR/Line-Guitar TRS input, 1 Mic XLR/Line TRS input, 2 Line TRS and 2 Line RCA outputs. The 6-in/4-out or 4-in/6-out US-366 adds 2 Line RCA inputs and 1 Digital RCA/Optical input/output. One click of the top-loaded “Mixer Panel” button will access TASCAM’s new mixing console screen and on-board insert/send effects for easy-to-use, versatile recording. The digital mixer offers two operational modes, multi-track mode and stereo-mix mode. After months of organized tests by TASCAM’s esteemed engineers and R&D department, the new TASCAM interfaces are guaranteed to offer new luxuries, reliability and value not found before in competing models. TASCAM’s US-322 and US-366 are bundled with Cubase LE6, feature easy-to-use controls, amazing quality, and feature-rich technology, advantages sure to please professional and amateur recording artists alike.
 259,-
 259,-
 Tascam DP008EX Compact Mult… Song ideas can happen anywhere and with the DP-008EX you're ready. Jot down all of the key components to your songs using these professional sounding multi-track recorder. Be ready wherever creativity strikes. For elongated battery life these models can connect directly to TASCAM's external battery pack (BP-6AA) via USB. The DP-008EX is built with two condenser microphones directly in the front of the unit. Record vocals or acoustic guitar anytime without the need for extra equipment or set-up time. TASCAM held many evaluation tests to secure the best sounding microphones and structures. Modeled after the top-selling DR series microphones, you can be assured you're receiving top-quality. DP-008EX is optimally designed for on-the-spot recording. No unnecessary features were included that might complicate the recording to ensure easy functionality. Designed with Analog functionality and dedicated control knobs these POCKETSTUDIOs are the simplest to use songwriting scratchpads on the market. The DP-008EX features an ultra light-weight design to ensure portability. The DP-008EX is 610g. (Without AA batteries). Includes a fully functioning chromatic tuner and a metronome. Two Analog Inputs for External Microphones and Electric/Acoustic Guitar, etc. Two input terminals by phone-jack, these terminals provide to connect an external microphone, an electric-acoustic guitar and a line-level device like a synthesizer. If you prepare any conversion cable, a tablet device like a iPad will be able to connect. (Conversion cable is not included)
 98,-
 98,-
 Ableton Live 9 Intro Record automation into clips. Edit automation with curves. Session View automation lets you capture your performance or add movement to your loops. Use curves to make automation more musical. Live’s unique Session View makes it easy to improvise with musical ideas. In Live 9, you can now record parameter changes directly into Session View for even more flexibility. Edit automation curves with the mouse to create smooth mix transitions or radical parameter changes in your clips. In one click, create new Session View scenes from your Arrangement tracks, or drag and copy individual clips from Arrangement to Session. The automation comes with them, making it easier than ever to move from improvising to arranging and back. Live 9 Intro has some feature limitations, but provides all the essentials at a great price. 3 Instruments, 26 effects, 700+ Sounds (4 GB). English language.
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