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Tannoy Reveal 601A
With the benefit of being active (self-powered), the Reveal 601a’s perfectly matched integrated amplifier ensures maximum efficiency from the 6.5” woofer and 1” soft dome tweeter and removes any need for a separate power amp. Response has been optimised for quarter space near field operation, such as on a meter bridge or on a table either side of your control surface, while independent gain control is provided on the rear panel, along with HF trim control, to allow fine tuning.
The low distortion 6.5” LF/MF driver voicing has been enhanced to deliver a natural and accurate ultra-linear response in the low and midrange frequencies, while the wide bandwidth tweeter extends the amplitude response beyond the 20kHz audibility threshold to 30kHz to improve the phase response within the audible band. This preserves the harmonic structure of sounds and the stability of the stereo image, ensuring stunningly accurate mix translation.
The rigid MDF cabinet construction provides stiffness and minimises colouration, while internal bracing of the sides and rear against the back of the bass driver provides a rigid reactive mass for the moving cone assembly; this ensures fast tight bass response and clear midrange. The curved edged design of the front baffle helps eliminate diffraction, while the front-firing bass port avoids the problem of exaggerated bass response as a result of boundary-coupling – a pitfall inherent with rear-firing designs when positioned close to a wall. The new elliptical tweeter waveguide has also been optimised to control high frequency directivity and minimise diffraction, ensuring a wide and even sweet spot.
Both balanced XLR and unbalanced TRS jack inputs complete the versatile package, ensuring the Tannoy Reveal 601A is easily integrated into any home or project studio with the minimum of fuss.
Price per piece.
459,-
459,-
119,-
119,-
Korg NanoPACK White
Three compact and convenient USB-MIDI controller models offering serious features for the computer-based musician.
Each of the nanoSERIES2 of ultra-compact and low-profile USB-MIDI controllers will fit perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space. Simply connect a single USB cable, and you've got a music production studio on your desk at home or on the go.
The nanoKEY2 is equipped with 25 velocity-sensing keys and an advanced design for reliable recording. For entering drum parts, the nanoPAD2 is the top choice. It boasts 16 responsive pads and an X-Y touchpad, just as on the Kaossilator Pro. The nanoKONTROL2 provides knobs, switches, and faders – perfect for controlling any DAW computer based DAW or numerous types of other music production software. Choose one, two or all three nanoSERIES2 controllers, and set up a simple and stylish system that's perfect for your music production needs.
Bag included.
99,-
99,-
Tascam IU2
TASCAM’s iU2 is a premium sound quality audio interface for the iPad, iPhone and iPod Touch. It includes all of the features of TASCAM’s best-selling USB audio interfaces, including a pair of great-sounding microphone inputs. The XLR inputs have phantom power for use with high-quality condenser microphones. These feed an onboard microphone preamp and A/D converter for better sound performance than those built into iPhone and iPad – true stereo recording with low noise and less tendency to distort. The inputs also accept line-level signals or you can plug a guitar or bass directly into your device. In addition to compatibility with iOS devices, the iU2 also works with Mac and Windows computers. A zero-latency monitoring path allows musicians to hear themselves directly through the unit, without any distracting delay. MIDI in and out are provided to interface with synths and drum machines, and a digital output connects to digital mixers or recorders. When you’re ready to get serious with iPad music recording, step up to the pro-quality interface of TASCAM’s iU2.
158,-
158,-
179,-
179,-
Sennheiser HD25-1 II Basic…
The closed-back HD 25 1 IIs are purpose-designed, professional monitoring headphones offering high attenuation of background noise. Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in high-noise environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. The capsule is rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs.
215,-
215,-
Mackie 802 VLZ 3
We have the mixer for you—the 8-channel 802-VLZ3. A professional compact mixer designed just to fit your needs, as well as your workspace, the 802-VLZ3 packs renowned VLZ3 quality into a tight, sleek package. Don’t let the small size fool you—the 802-VLZ3 is all pro, and all VLZ3. It boasts the same signature VLZ3 high headroom / low noise design that makes others in the series prized in studios and stages worldwide, including premium XDR2 preamps, an ultra-musical EQ and modern summing bus architecture. Ideal for home studio and on-the-go applications, the 802-VLZ3 makes premium mixing capabilities available for setups where space, and money, are tight. It’s all the mixer you need, in a footprint that fits just about anywhere, at a price that fits your budget.
148,-
148,-
155,-
155,-
Yamaha HS50M
The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. Price per piece.
75,-
75,-
AKG K121 Studio
The AKG K 121 Studio are entry level professional headphones for various applications, as Project Studios and Home Recording. These semi-open, supraaural headphones are a true allround performer. The AKG self-adjusting headband ensures good comfort. The K 121 Studio are equipped with a 3.5/6.3 mm stereo adapter and is designed for ambitious and rugged use. The leatherette ear pads are easy to clean. The K 121 Studio are designed and engineered in Austria.
249,-
249,-
Olympus LS-11
A Compact, Lightweight Powerhouse of Audio Recording. Drawing on 40 years of experience, Olympus has put a feature-packed audio studio in one 5-ounce PCM recorder. The LS-11, with two high-sensitivity microphones and 8GB of internal memory, is the star of the show when it comes to capturing and playing back crystal clear audio, whether for personal enjoyment, hobbies, or even important business functions.
119,-
119,-
Sennheiser HD280 Pro
The HD 280 PRO are closed-back, circumaural headphones designed for professional monitoring applications. Although suitable for a very wide range of applications, the exceptional 32 dB attenuation of external noise makes the HD 280 PRO particularly useful for use in a high-noise environment.
215,-
215,-
139,-
139,-
179,-
179,-
AKG Perception 220
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG´s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
298,-
298,-
Roland VS-100
Take control of your music production using the SONAR V-STUDIO 100 as a high-quality audio and MIDI interface and DAW controller. Connect to a Mac or Windows and use your favorite software such as SONAR, Logic, Live, Cubase, or the included SONAR VS digital audio workstation (Windows Only).
189,-
189,-
Rode NT1A 15th Anniversary…
The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.
399,-
399,-
Rode NT2000
Seamlessly Variable Dual 1" Condenser Microphone. The world's first large diaphragm condenser studio microphone with seamlessly variable Polar Patterns, Filter and Pad located conveniently on the microphone body. The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
345,-
345,-
88,-
88,-
75,-
75,-
Rode M3
The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded. An end address condenser microphone, the M3 features a heavy-duty metal body, category leading low self-noise, three stage PAD (O, -10db, -20db), a battery status LED and a High Pass Filter. The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.
185,-
185,-
KRK RP6 Rokit G2
Whether you're just starting out in desktop recording, or you've already laid down a few thousand tracks, you've probably heard about KRK Rokit Powered Studio Monitors. After all, for years the Rokit has been a popular choice for accurate monitoring in home and project studios large and small. Rokit enthusiasts include guitar and bass players, electronic musicians and re-mixers, beginning artists and industry professionals. KRK RP6 RoKit G2, Active Monitor, 6" + 1", 100W, bi-amplified, Frequency Response: 49 Hz - 20 kHz, magnetic shielded, Dimensions: 21.1 x 22.5 x 29cm (HxWxD), Weight: 11kg. Price per piece.
377,-
377,-
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Focal XS Book 2
Focal XS Book is the ultimate computer 2.0 system, a true mini-monitor equipped with Focal speaker technologies and able to reveal the richness and dynamics of your multimedia audio contents. Compact but high-performance, XS Book can also become an active solution around a flat panel, or bring quality sound into a small room once connected to a music player.
Mackie Onyx 1620i
Eight full channels of mic pres and four stereo channels means there are few sessions that the Onyx 1620i cannot handle. Each mic channel features 4-band Perkins EQ with dual sweepable mids, providing truly professional tone-shaping. Band-friendly features like the dedicated talkback section with built-in mic allow you to easily communicate with the talent, whether behind the glass or in front of stage monitors. Deep FireWire integration, along with complete platform support allows you to easily record in the studio, or at the gig. The matter is settled then…the 1620i is a true band workhorse.
The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:
Wet or Dry? — Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement ‘EQ to tape’ or not.
Studio Quality Effects — Aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.
Preserve Your Mix — Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!
Mix Integration — Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.
Latency-Free Overdubs — Having a “real” mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated “DSP” mixers commonly used on standalone interfaces.
The 1620i delivers hassle-free FireWire connection to your favorite DAW. All channels, auxes and (of course) the master L/R are available to your DAW. And since you can return your DAW outputs straight into a channel strip, mix integration is easier than ever.
When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.
The 1620i has a plethora of analog features that are sure to please. First off, there are eight Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there’s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Eight mono mic/line channels feature 4-band Perkins EQ with dual sweepable mids, the additional four stereo line channels have 3-band Perkins EQ.
So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include four aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.
The Onyx 1620i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it’s a Mackie, you can be sure that it is “Built-Like-A-Tank” and will survive years of abuse.
Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer.
Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 1620i offers the quality demanded by industry professionals.
Genelec 7050BPM Active Subwoofer
The new Genelec 7050B LSE™ subwoofer provides perfect partner to the 8020A for both stereo and surround sound applications. The 7050B extends the LF response down to 25 Hz with amazing bass articulation. This is made possible in such a compact enclosure thanks to Genelec's patented Laminar Spiral Enclosure (LSE™) technology. With 5 main input channels and an LFE channel with 85/120 Hz reproduction bandwidth selection, the 8020A/7050B system fulfills the needs of 5.1 productions. You can also use the 7050B to complement the 8030A monitor.
The 7050B is designed to complement Genelec's 8020A active monitors in stereo and surround applications, and the 8030A in stereo only setup. The subwoofer features a single 8" (205mm) proprietary driver with a 70 Watt power amplifier. It has a frequency response from 25 Hz - 85 Hz (± 3dB), and the ability to deliver short term sine wave of 100 dB SPL in half space at 1 metre. Like all Genelec LSE™ active subwoofers, the 7050B also features extremely low distortion.
Genelec 8020CPM
The small Genelec 8020C has been designed for monitoring in difficult listening environments, particularly those compromised by lack of space. However, size is no handicap to performance as the 8020C two-way active monitoring system incorporates Genelec's acoustic design innovations to minimise all forms of distortion. Our Intelligent Signal Sensing (ISS) feature, reduces power consumption to less than 0.5 watts by automatically switching the active monitor to standby, when no audio signal has been detected for some time. When it receives an audio signal again, the loudspeaker turns back on. ISS is fully compliant with the latest EU requirements and the ErP 2013 Directive for electronic devices.
Each monitor features a 105 mm (4 inch) bass driver along with a 19 mm (3/4 inch) tweeter loaded into a new advanced Genelec Directivity Controlled Waveguide (DCW™). The free field frequency response is 66 Hz to 20 kHz (± 2.5 dB). Maximum peak SPL output per pair with music material is 105 dB at 1 m. Bass and treble are each powered by 20 watt amplifiers.
8020C can be combined with the 7050B Laminar Spiral Enclosure (LSE™) subwoofer to provide a powerful, bass-managed and wide bandwidth surround sound monitoring system. The 8020C has a die-cast aluminium Minimum Diffraction Enclosure (MDE™), which features relatively large internal volumes; softly curved edges and outstanding mechanical strength.
As a result, the imaging accuracy and low frequency extension with such a compact enclosure are truly astounding. The 8020C also incorporates the advanced Directivity Control Waveguide (DCW™), which provides an amazingly smooth on and off axis response; while the long, curved reflex port ends in a wide flare for excellent bass articulation.
Focusrite Scarlett 18i8
The new Focusrite Scarlett 18i8 18-in/8-out audio interface further extends the popular Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high quality inputs and outputs for multiple recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with ADAT expansion capability enabling it to handle larger recording requirements. Scarlett 18i8 works on Mac, PC and iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48v phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic pres like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue I/O have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of DAW and recording applications on Windows®, Mac® and now iOS® recording apps.
SM Pro Audio HP12E Class A Headphone Amp
Schools, labs, training centers, lecture halls, and houses of worship take note: Now you can minimize the gear and maximize the number of users with the HP12E headphone amp. Easily accommodate 12 users with each of six output channels feeding two sets of headphones; A/B source monitoring is selectable per channel. Multiple HP12Es can be daisy-chained, making it a breeze to design and set up large multi-user systems. And the HP12E’s value price means that even large systems won’t break the budget.
SM Pro Audio M-Patch 4M Passive Controller Switcher
For busy studios, the MPatch 4M delivers an ideal all-in-one solution: monitor control with mute, mixing, level-matching, headphone monitoring, stereo- to-mono summing, and talkback. Control room outputs are automatically ducked 20dB when talkback is engaged; use the built-in mic or plug in your own, and control it from the front panel or a remote switch. Master attenuator features a discrete film-resistor network for exceptional accuracy at all volume levels. Designed for desktop or rackmount use.
Marantz PMD 661 MKII
Introducing the Marantz Professional PMD661MKII; a new and improved, highly robust, versatile, professional handheld PCM / MP3 recorder. The PMD661MKII sports a refined professional broadcast feature set, maintaining the improved top facia layout with fewer buttons and more highly developed use of multi-functional operation previously seen in the original PMD661. Measuring just 165 x 93 x 36 mm (6.5" x 3.7" x 1.4"), and combined with the improved control layout it ensures comprehensive single handed operation. The feature set includes an integrated high quality stereo condenser microphone array for ‘point and shoot’ operation, and a highly visible 128 x 64 dots matrix OLED (organic LED) display.
The PMD661 MKII features balanced mic and balanced line XLR inputs, as well as unbalanced line outs on RCA connectors and a secondary unbalanced line in on 3.5 mm mini jack connector. Also included is a high resolution 24-bit / 96 kHz recording option (PCM). The PMD661 MKII utilises SD flash media, the most widely available and fastest developing flash memory format. Compatibility with SDHC media means that cards currently up to 32 GB in size can be used. High capacity media storage is matched by five hours recording time from four AA Alkaline / Ni-MH batteries. Drag and drop file transfer is supported via the USB port.
Feature improvements over the original PMD661 include new built in ‘SD Card Check’ so it is easy and convenient to insert any SD card and check compatibility before investing in multiple cards that may not match the high performance of the PMD661 MKII.
Journalists on the move, up against tight deadlines will make use of the new ‘Retake’ feature which allows a simple button press to take you back though the previously recorded audio to edit the record start point. This enables easy re-recording over unwanted takes and offers a solution for quick editing on the move without the need to edit on a computer.
New security features have also been added into the MKII with Password Protection and File encryption ability that work hand in hand to keep recordings safe form unauthorised access. MP3 files can be encrypted to .MPS files and WAV files encrypted to .WAS files which utilise the 4 digit password protection feature so that only those with the 4 digit password can open and play the files either on the player or in the new updated PMD Marker Editor software, included in the box.
Alesis Control HUB
This MIDI Interface with Audio Output for iOS and USB features 1 MIDI input and 1 MIDI output. It easily connects to your Mac, PC or iOS device via Apple’s new Lightning connector. The Control HUB connects to virtually any MIDI gear, and it features headphone and stereo 1/4 ˝ audio outputs. The MIDI Interface has a compact modern design with black chrome accents, and is USB or iOS powered so no power supply is needed.
Alesis Elevate 3
Ideal for multimedia, gaming, desktop audio, or for use with a mobile device, the Alesis Elevate Series combines technology borrowed from professional Alesis monitors along with advanced components to create a smooth, solid sound—without taking up valuable studio or setup space. The Elevate 3 and Elevate 5 provide thoughtful options for creating a custom listening environment.
The front panel provides a convenient and easy-to-reach volume control. This control knob also serves as a power switch, paired with a blue LED indicator. Speaking of power, the Elevate 3 and Elevate 5 are equipped with an internal power supply, so there is no bulky external adapter. Left and right RCA inputs are located on the rear panel. An 1/8” stereo headphone output is provided on the front panel. The Elevate 3 provides 20 Watts of continuous power, or 10 Watts per speaker. The Elevate 5 delivers twice that amount at 40 Watts of continuous power, or 20 Watts per speaker.
The Elevate 3 features a 3" speaker for reproducing low-frequency sound. The Elevate 5 uses a larger 5" speaker for enhanced bass. Both models are equipped with a 1" softdome silk tweeter. This high-frequency driver is surrounded by an elliptical waveguide. This Directional Articulation technology creates a wider "sweet spot" for critical listening, while at the same time minimizing audio reflections from tabletops, etc. On the rear panel, there is a Bass Boost switch. The Elevate 3 includes an 1/8" sub output for using the Elevate monitors with an external subwoofer to provide an enhanced low-end response.
The custom-designed, high-density wood cabinet delivers a full, warm sound. Bass porting provides an extended lowend. Radial-edge baffles reduce distortion-causing edge diffraction, keeping the sound clear. Magnetic shielding allows the Elevate 3 and Elevate 5 monitors to be safely used near sensitive video displays and other electronic equipment.
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