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39,-
39,-
Shure PG48 XLR Performance…
An excellent performance microphone for spoken word applications. Tailored frequency response is smooth and extended. Tuned specifically for vocal applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
179,-
179,-
AKG Perception 220
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG´s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
189,-
189,-
Rode NT1A 15th Anniversary…
The NT1-A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1-A is supplied with a shock mount and zip pouch.
399,-
399,-
Rode NT2000
Seamlessly Variable Dual 1" Condenser Microphone. The world's first large diaphragm condenser studio microphone with seamlessly variable Polar Patterns, Filter and Pad located conveniently on the microphone body. The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
109,-
109,-
AKG D5 Stage Pack
The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix. Besides the microohone, this package contains a suitable stand, cable and zipbag.
59,-
59,-
Shure PG58 XLR Performance…
Rugged, reliable performance for vocals. The Shure PG58-XLR Dynamic Mic with XLR Cable is an affordable, high-output dynamic mic that offers rock-solid performance for backup and lead vocals. Features neodymium magnet, internal shockmount, pop filter, and on/off switch. Cardioid pattern rejects noise and minimizes feedback. Frequency response: 60Hz-15kHz. The Shure PG58-XLR Dynamic Mic with XLR Cable includes 15' XLR cable, clip, educational guide, and storage bag.
189,-
189,-
Shure SM86
The Shure SM86 is a unidirectional (cardioid) condenser vocal microphone for professional use in live performance. An extremely rugged microphone, the SM86 withstands the rigors of touring while delivering studio-quality sound. The tailored frequency response of the SM86 reproduces vocals with clarity. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The built-in 3-point shock mount minimizes handling noise, and a 2-stage pop filter reduces wind and breath "pop" noise. The SM86 is an excellent selection for use with both stage monitors and personal in-ear monitors.
249,-
249,-
SE Electronics USB2200A
Based on the studio standard sE2200a, the USB2200a records via USB directly to your DAW and has several features unique from competitor USB mics including, zero latency headphone monitoring, mix control playback/record path, 10dB pad, bass cut and simultaneous analogue/USB feeds.
159,-
159,-
Shure 55SH II
The Model 55SH Series II microphone provides the Shure classic UNlDYNE® II design coupled with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak. The 55SH Series II microphone has a cardioid (unidirectional) polar pickup pattern that minimizes sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.
419,-
419,-
Sennheiser MD 421-II
The MD421 II continues the tradition of the MD 421 which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern, and five-position bass control make it an excellent choice for most instruments, as well as group vocals, or radio broadcast announcers. One listen and you'll know why it's a classic.
59,-
59,-
Shure PG57 XLR Performance…
High-quality instrument miking at an affordable price. An ideal choice for stage or studio miking of guitar amps, brass instruments, and saxophones. It has the rugged build and reliable performance Shure is famous for. Its cardioid pickup pattern rejects unwanted noise and minimizes feedback. The neodymium magnet delivers high output levels. Internal shockmounting reduces handling noise. Its probe-style hardened steel grille allows closer placement to the sound source and provides increased cartridge protection. On/off switch.
111,-
111,-
Electro Voice ND767A
The Electro-Voice N/D767a Dynamic Supercardioid Vocal Microphone boasts extremely low handling noise. N/DYM dynamic supercardioid lead microphone. Features VOB technology for reduced boominess, sibilance, and plosives. Frequency response: (near) 35Hz-22kHz, (far) 70Hz-22kHz. Sensitivity: -51dB.
135,-
135,-
Shure PG81 XLR Performance…
The Shure PG81 Condenser Microphone with XLR Cable features a cardioid pattern that rejects noise and controls feedback. Flat 40Hz-18kHz frequency response and cardioid pattern are excellent for acoustic guitars, overhead percussion, pianos, strings, and woodwinds. Internal shockmount and on/off switch. Frequency response: 40Hz-18kHz. Includes clip, mic pouch, educational guide, and 15' XLR cable. Requires phantom power.
169,-
169,-
Rode Podcaster
Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable. The Podcaster offers an end-address configuration, the clarity of RØDE's tailored-for-voice frequency response, an 'ON' L.E.D, a direct headphone amp, and of course very low self noise. The Podcaster opens up possibilities for anyone who records audio - from podcasters, journalists and students to business people adding audio files to websites and multimedia presentations.
179,-
179,-
Shure Beta 52A
The industry standard for kick drum miking! The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.
129,-
129,-
Shure 520DX Green Bullet
Contoured to fit comfortably in the palm of your hand, the Model 520DX "Green Bullet" microphone produces the unique sound that has made it a legend among harmonica players. The 520DX features a volume control knob at the base of the microphone that allows musicians to make adjustments to suit their needs during a live performance. An attached cable with a standard 1/4" phone plug allows the microphone to be connected to a high-impedance device.
299,-
299,-
Rode NT6
The new Rode NT6 is a small-diaphragm condenser microphone that's specifically designed for difficult mounting applications or discreet placement. The compact capsule of the NT6 is connected to the main part of the mic by a 3-meter Kevlar-reinforced cable. The NT6 runs on standard 48-volt phantom power. The mic has a fixed cardioid pattern, a frequency range of 40Hz-20kHz and a maximum SPL figure of 135dB. The new NT6 is extremely well suited to any situation where a small unobtrusive but powerful microphone system is required. It features a unique compact capsule connected to the main body of the mic by a three-meter cable, making it perfect for discrete instrument miking, especially in tight spaces. The NT6's mic body, which houses the preamp and XLR connector, also features -10dB pad and 80Hz high-pass filter switches, so you can adjust these settings without disturbing the position of the capsule. The NT6 is supplied with all the necessary mounting hardware, a windshield and a zip-up pouch.
163,-
163,-
AKG D112
The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc. Built in windscreen, SA 60 stand adapter included.
525,-
525,-
Sennheiser E 965
The e 965 is a hand-held vocal microphone with true condenser capsule in large-diaphragm technology. It combines the best available features of a stage microphone with Sennheiser’s pioneering experience in the field of acoustics. Able to cut through high on-stage levels the e 965 is the top model of the award-winning evolution 900 Series.
185,-
185,-
Sennheiser E 614
The e614's super-cardioid pattern, in combination with a neutral response and moderate sensitivity, insures optimum isolation from other instruments on stage. Unobtrusive for precise placement and powered by external phantom power, the e614 tolerates extremely high SPLs, precisely capturing cymbals and hi-hats like no other mic in its price range.
139,-
139,-
Shure Beta 57A
The Shure Beta 57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
119,-
119,-
Best seller!
Shure SM58
The Shure SM58® unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement,
and studio recording.
299,-
299,-
Shure Beta 87A
The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production. The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power. Leading the field for studio-quality sound in live performance, the Beta 87A has a smooth, tailored response for warm, accurate sound. Its supercardioid design provides maximum isolation from nearby vocalists or instruments.
133,-
133,-
Sennheiser E 604
The frequency response and cardioid pick-up pattern are optimised for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condensor microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough, reinforced glass fibre body takes the knocks and shocks and suppresses impact noise.
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January 18th, 2012
New VideoMics announced by RØDE Microp…
RØDE Microphones is proud to announce the release of its latest on-camera microphones, the Stereo VideoMic Pro and the VideoMic HD.
The Stereo VideoMic
Building on the success of the VideoMic Pro, which launched in early 2011 and quickly became the defacto standard for DSLR on-camera audio, and RØDE's original Stereo VideoMic, the new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
Based around a matched pair of high sensitivity 1/2"cardioid condenser capsules in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.
The Stereo VideoMic Pro builds on the feature set of the VideoMic Pro, with an ergonomic form factor perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The integrated shock mounting system provides superior isolation from vibration and mechanical noise that ca…
Neumann TLM49 Studio Set
The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension. The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.
During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.
The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm. The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.
The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.
The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 129 dB without distortion, and provides a dynamic range of 117 dB (A-weighted).
The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount. Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.
AKG PR4500 PT Set
The PT4500 is an analog reference wireless body-pack transmitter with supreme wireless audio quality for instrumental and vocal use. The pilot tone prevents unexpected system startup noise, continuously sending transmitter data, including mute switch position and remaining battery life, to the receiver. An optional RMS4000 external mute switch allows the user to mute the transmitter remotely. WMS4500 transmitters offer an unmatched battery life of 15 hours with two standard AA-size alkaline batteries. With the integrated charging contacts, the optional BP4000 battery-pack can be charged inside the transmitter.
AKG Drumset Premium
The Drum Premium reference drum microphone set is a hand-selected collection of the highest-quality microphones for touring, live and studio applications. The rugged metal carry case houses a range of the best AKG microphones made for capturing miking drums while simultaneously ensuring safe transportation wherever you go. The Drum Set Premium is hand-selected in Vienna, Austria and contains the following 8 world-class microphones:
1 x D12 VR Dynamic bass drum microphone
1 x C214 Matched pair condenser microphones for overheads
1 x C451 B condenser microphone for Hi Hat
4 x D40 Dynamic instrument microphones for snare and toms
AKG D12 VR
The D12 VR is a reference large-diaphragm dynamic microphone with cardioid polar pattern. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its warm sound is realized by the original C414 transformer, especially impressive at high signal levels. The D12 VR features three active filter presets to match its sound shape with the kick drum’s character. When activated, the output level is automatically reduced by 10 dB. The filter settings can be controlled using a switch on the microphone body. Without phantom power, the microphone operates in passive mode and delivers the instruments pure sound.
AKG PR4500 HT Set
The HT4500 is an analog reference wireless handheld transmitter that connects to a choice of four different microphones to cover a wide range of applications. The unique dipole-antenna design ensures reliable transmission even when one pole of the antenna is covered completely by the user's hand. The pilot tone continuously sends transmitter data, including mute switch position and remaining battery life to the receiver. The HT4500 offers an extended battery lifetime of 15 hours with two standard AA alkaline batteries. With integrated charging contacts, the optional BP4000 battery pack can be charged inside the transmitter. The readout of its exact battery life in hours is a valuable advantage in wireless applications.
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