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 165,-
 165,-
 Fulltone OctaFuzz The Fulltone Octafuzz gives you an exact copy of the venerable Tychobrahe Octavia in a brand-new unit! Whether you're chasing that elusive Hendrix tone, want to capture a little SRV magic, or want to create your own ringing, otherworldly vibe, the Octafuzz gives you an essential ingredient for a tasty sonic stew. This pedal provides the kind of unique effect range that transcends mere fuzz and octave-up sounds. Its heavy steel enclosure, gloss powdercoat finish, and antique-white logo give the Octafuzz a vintage look to go with its classic tone!
 189,-
 189,-
 Fulltone 70 Fuzz Pedal If you've ever played a 1970s-era fuzz pedal, you'll recognize the sound of the Fulltone '70. This fuzz stompbox has 2 intentionally mismatched silicon transistors allowing for greater harmonic content—this snarling, spitting pedal is not for the meek. Putting the Fuzz control on 10 might give you all sorts of oscillation and weirdness, but that's rock. Housed in a 16-gauge steel box and powder-coated in deep blue, this Fulltone Fuzz Pedal has an unruly, warm tone ideal for older 4-input Marshall amps. It's got all the fuzz you need and includes a Mid control for extra clarity and cut.
 189,-
 189,-
 Fulltone Catalyst The Fulltone Catalyst distortion pedal is like three units in one pedalboard-friendly stompbox! You get very cool fuzz tones that be easily switched to more conventional distortion tones. Plus, you get very useful clean boost utility (great for pumping up those leads or maximizing other effects in the signal chain) and a great-sounding overdrive — all from a handy little box that's astoundingly easy to use at home, onstage, or in the studio. The Catalyst features a very intuitive control layout, with large Volume and Gain knobs, smaller Bass/Mids and Treble knobs, and a Flame/Spark switch that lets you effortlessly move from fuzz to crunch. You can transform your amp rig with one pedal; all you need is a Catalyst!
 165,-
 165,-
 Fulltone FatBoost 3 Make Your Guitar Rig Sound Bigger with This Booster! The Fulltone FatBoost 3 boost pedal ups the ante on its predecessor, giving you gobs of clean boost plus the kind of bass and treble control you need to spice your amp tones up just the way you like them! This Class-A, JFET-powered booster is made to fit comfortably on your pedalboard, and its large Volume and Drive knobs are easy to adjust onstage. Smaller Bass and Treble knobs let you tweak your favorite tones, while true-bypass switching means that when the FatBoost 3 is off, it's off. The FET design adds amp-style compression to your signal as you turn up the Drive knob. You won't believe how big you can make your guitar sound through your amp — even at low volumes — with the FatBoost 3!
 195,-
 195,-
youtube video available
 Fulltone GT500 The Fulltone GT500 offers discrete circuitry (no Op-amps) F.E.T Hi-Gain Distortion and discrete F.E.T Overdrive / Booster IN ONE BOX. You could think of the GT500 channels as 2 separate pedals in one box...or think of them as stages to be linked together for endless combinations.
 195,-
 195,-
 Fulltone Fulldrive 2 The Fulldrive 2 becomes the FD2-MOSFET! Housed in a beautiful powder coated Blue steel enclosure, the first channel is the "Overdrive Mode" capable of Clean Boost or non-compressed overdrive or choose light to medium softer Overdrives all while retaining your guitar's original tone. The Tone knob is a very effective Presence control that can smooth out or add upper harmonics.. There's also a footswitchable second channel "Boost Mode" with its own separate Distortion control for medium to higher gains with a more singing violin-like sustain!
 275,-
 275,-
 Fulltone Clyde Deluxe Wah The Clyde Deluxe Wah Pedal is the updated version of a Fulltone standard. The Deluxe version of the Clyde wah has all the features that players have come to know and love about the original, but now it has a 10-step variable input level control, it's true-bypass with a bright side-viewable low-current pilot light status indicator, and it has 3 selectable modes: Wacked, Jimi, and Shaft. The Wah Pedal's 3-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile to biting funk to down-and-dirty low-end grunt. The Fulltone Clyde Deluxe can do it all.
 159,-
 159,-
 Fulltone OCD Obsessive Comp… PEDALS (until now) just can't hold a candle to what a good amp can do if you are really picky. You not only lose all the touch sensitivity, but forget about those complex Harmonics. (For me) It's always been somewhat of a compromise using Overdrive pedals... until now. Ladies and Gentleman, I am proud to introduce the Fulltone OCD. I made this pedal for me, but I think you might like it too...Mike (Fulltone)
 220,-
 220,-
 Fulltone Supa Trem The Fulltone Supa-Trem pedal gives you versatile, great sounding Tremolo that will take your tone to another level! The Supa-Trem uses a photo-cell, much like vintage tube amps used, but this one is noise-free and gives you a decidedly modern level of control. Its footswitchable Half/Full speed function lets the Supa-Trem stay in tempo with the song's beat, while an additional footswitch allows you to go between smooth waver and hard stutter with ease. You can also fine-tune the waveform to your liking on the Supa-Trem.
 219,-
 219,-
youtube video available
 Fulltone Ultimate Octave The Ultimate Octave... A very fat Distortion/Fuzz with a very active tone control and a separate footswitch that kicks in the most searing Octave-Up available... use it as a Fuzz or Octave-Up. With True-Bypass and LED's (for both features), it also has a "Fat/Bright" switch that completely changes both the distortion and octave sounds from strong thick mids (Fat) to completely scooped out with no mids, lotsa bass and hi-end ("Bright"). The world's most versatile Octavia!
 230,-
 230,-
 Fulltone Clyde Standard Wah Clyde McCoy was a big-band Trumpet Player in the '60s... not a great musician, but one famous for getting a muted wah wah sound. This led to Vox trying to approximate this muted trumpet sound in a pedal... hence the Vox "Clyde McCoy" wah wah circa 1967. Jimi Hendrix and Eric Clapton used a Vox "Clyde McCoy" model wah wah. Photos taken during the recording of Electric Ladyland document Jimi's as being the "signature" model, featuring Clyde McCoy's name written out script style on the bottomplate. The other type of Clyde McCoy was the "picture" version, which had Clyde's photo on the bottomplate. The "signature" model, with it's great sounding "halo" inductor, is what the Fulltone CLYDE is modeled after. The Fulltone CLYDE was born from taking the best of the best of Fulltone's vintage Vox wah collection, and analyzing every aspect... going so far as sacrificing a few of the vintage inductors to get it right.
 249,-
 249,-
 Fulltone Mini-DejaVibe The Fulltone Mini-DejaVibe pedal packs the legendary sound of the Univibe into a chassis that's pedalboard-friendly. If you're looking for that elusive "phase-y/chorus-y" sound, look no further! The Mini-DejaVibe features real photocells and and the original's voltage (18+ volts DC, ramped up inside the unit), while allowing you to use the included FPS-1 9-volt adapter for power. A mini-toggle switch lets you choose between vintage and modern settings, and the sturdy steel housing and beautiful finish give the Mini-DejaVibe a solid, vintage feel.
 278,-
 278,-
 Fulltone MDV2 Mini DejaVibe… Real Estate is precious, especially on your pedalboard, but the lush organic sounds of a perfect "vintage Univibe clone" are a necessity, and they are now attainable in a space no bigger than a standard wah wah pedal.....the Mini-Deja'Vibe2, MDV-2 for short. Vintage Cream powder coated finish with Oxblood lettering and a Blue LED that throbs to the beat of its asymmetrical rhythm.
 1099,-
 1099,-
 Fulltone TTE Delay Effect T… It used to be that no delay could quite replicate the natural, warm, and shimmery tones of an old Echoplex tape echo—enter the Fulltone TubeTapeEcho, or TTE. Old tape echoes used to be noisy and unreliable, but the Fulltone TTE is dead quiet and features revamped electronics, tape transport path, and even the tape cartridge itself to near-overkill, producing less noise than most delay pedals. The TTE effect pedal can provide anywhere from a quick slapback to over 2 seconds of delay time. There is a top-panel-mounted, dual-speed toggle switch to choose between Hi-Speed and Lo-Speed operation. Hi-Speed gets you lots of Highs, less Bass, and a True Repeat without the Pitch variation of the old Echoplex. Lo-Speed is warm, with lots of Bass, less highs, and a slight "warble" that imparts a natural chorus.
 195,-
 195,-
 Fulltone Plimsoul PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it...you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.
 199,-
 199,-
 Fulltone Soulbender Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings. Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding. The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
 190,-
 190,-
 Fulltone 69 MkII This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick. If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking. Specifications subject to change at any given moment due to availability... and whimsy. True-Bypass w/LED is standard equipment to preserve tone when the pedal is off!
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 Fulltone Robin Trower Overd… Touch responsive, huge sounding, sustain for days... and crystal clear when the guitar's volume knob is reduced for great live dynamics. Being that Robin uses Fenders as well as Marshalls, it had to work well with both types...it does. And Robin hits so hard that the front end of the pedal had to be tuned for those .012-.048 tuned-down strings...the RTO holds tight and smooth for Strat and Les Paul players alike.
 68,-
 68,-
 DigiTech CF7 Chorus Factory The CF-7 features models based on both classic and the latest modern chorus pedals including the DigiTech® Multi Chorus™*,Voodoo Lab Analog Chorus*, TC Electronic® Stereo Chorus/Flanger*, Fulltone® Choralflange™*, Boss® CH-1 Super Chorus™*, EH® Small Clone® and Boss® CE-5 Chorus Ensemble™. Fulltone ChoralFlange Whether you play guitar, bass, or even keys, your quest for the finest sounds available in an analog modulation pedal has ended.... the Fulltone ChoralFlange is the real deal, not a digitally modeled facsimile! The quality of the flanging is extraordinary! Incredibly musical tones, reminiscent of Jimi Hendrix's "House Burning Down" or Eric Johnson's "High Landrons." Additionally, it does all this in stereo with minimal noise! The Choral Flange chorus sounds have a very wide range, achieving everything from meaty, pitch-bent vintage Boss CE-1 vibrato style sounds to totally transparent stereo splits, but without the sterile tones of many of the current crop of higher-end choruses. There's tons of headroom to avoid overdriving the input into distortion when you use heavy strings, or if you use the Fulltone ChoralFlange for bass or keyboards. This pedal does fantastic Leslie simulations also, in both monophonic and stereo modes. Fulltone BassDrive Bassists need dirt too! But no one, until now, has given you something that works, with all the full, rich bottom-end that you deserve, damn-it! BTW, many guitarists use and prefer the Bassdrive for Guitar! The Bass-Drive is a lot like its cousin the Full-Drive2, but voiced with an extra octave of bass coverage... still giving a natural, uncolored FATNESS to your thang. From just adding a little grind, to replicating a raging SVT, to sounding like Jack Bruce in The Cream. (He's got one already!)