You would never think you could get such big tone out of such a small amp. The P300H packs a serious punch at 300W and weighs in at just 6 pounds. A full 3 band EQ with an additional Phat control gives you the flexibility to shape your tone in any situation. You shouldn't have to sacrifice power for an amp that's lightweight and compact! The easy-to-operate, fire-red Promethean heads feature all the power you will ever need and more. Its compact size makes it perfect for easy traveling from gig to gig.
Powerful, innovative and versatile for stage and studio alike, the Bassman 100T is a professional-level 100-watt tube head with enormous Fender bass sound and sparkling vintage Fender looks. Its dual-channel design uses modern technology to maximize classic technology, with classic Fender late-’60s/early-’70s “blackface” styling and a wealth of innovative features on the front and rear panels. Features include a tube preamp (two 12AX7s) and power amp (one 12AT7 and four 6L6s); Vintage channel that delivers the full, warm sound of a classic Fender passive tone stack; Overdrive channel that delivers the aggressive and responsive sound of a modern active tone stack (choose between channels with included footswitch); rear-panel Fender Automatic Bias system that constantly monitors and re-biases tubes for perfect performance and alerts you when service is required; XLR output that delivers overdriven power amp tone (great for recording); rear-panel Output Power switch that lets you play or record at full 100-watt power, quieter 25-watt power, or silently via internal power soak (which captures the signal post-power amp); impedance switch (8, 4 or 2 ohms) and master volume with push/pull mute.
One of the most powerful and versatile bass amps Fender has ever created, the Super Bassman is a stadium-level 300-watt tube head designed for the biggest shows and the largest stages, with enormous Fender bass sound and sparkling vintage Fender looks. Perfect for stage and studio alike, its dual-channel design uses modern technology to maximize classic technology, with classic Fender late-’60s/early-’70s “blackface” styling and a wealth of innovative features on the front and rear panels. Features include a tube preamp (two 12AX7s) and power amp (one 12AX7, one 12AT7, six 6550s); Vintage channel that delivers the full, warm sound of a classic Fender passive tone stack; Overdrive channel that delivers the aggressive and responsive sound of a modern active tone stack (choose between channels with included footswitch); rear-panel Fender Automatic Bias system that constantly monitors and re-biases tubes for perfect performance and alerts you when service is required; Speaker Output switch that can be set to “Mute” to turn speaker off and record silently using preamp tone from the XLR output; Impedance switch (8, 4 or 2 ohms) and master volume control with push/pull mute.
The Little Mark III now has a line out level control and new output limiting circuit for a more dynamic response, and new eq points. This 10th Anniversary model has a chrome front panel. The Markbass Traveller 102P is the smallest and lightest 400W 2X10 bass extension cabinet on the market. The Markbass Traveller 102 P can be used in either vertical or horizontal position. Perfect for club gigs, this cab provides a punchy full range sound. This limited edition model has a chrome grill. A limited 10th Anniversary edition!
The AD200 MKIII is quite simply one of the purest bass tube amplifiers ever produced. No bells and whistles, just the shortest signal path from your guitar to your speaker. Vintage-inspired, but full of modern tones, the AD200 has a creamy, dynamic low-end with a focused midrange crunch. Simple to use, this amp has only full EQ, master volume, and gain controls. 200 Watts output from (4) 6550 tubes means it has enough gain and volume on tap to shake the floor of the largest arenas. For the purest sounds throughout the bass spectrum, you can’t beat the AD200.