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176,-
176,-
Fulltone Fulldrive 2
Dieser Overdrive wird ihren alten TS 808 oder TS 9 für immer in den Ruhestand versetzen. Der einzigartige Fulltone Schaltkreis benutzt ein "asymmetrisches Clipping" (entwickelt von dem Califorischen Amp/Electronic Guru John Stokes), welches "Even order Harmonics" liefert,wie sie in einem Class A Röhrenverstärker erzeugt werden, wenn man ihn bis zum Anschlag aufreißt.
299,-
299,-
Fulltone Clyde Deluxe Wah
Aufbauend auf dem Clyde Standard hat M.Fuller einige Features hinzugefügt. Der Betrieb wird über die seitlich angebrachte LED angezeigt. Die Lautstärke lässt sich außen über ein Rasterpoti regeln. So kann man die Lautstärkeeinstellung jederzeit wiederfinden. Über einen Außenliegenden Schalter lassen sich 3 Werkseitig Eingestellte Sounds abrufen. Damit lässt sich schnell der Klassische "Voodoo Chile" Sound ein bissiger Funk-Sound.. oder ein basslastiger vocaler Sound abrufen. Eigentlich alles was man braucht.
185,-
185,-
Fulltone OCD Obsessive Comp…
Der Fulltone "Obsessive Compulsive Drive" (OCD) wurde entwickelt, um die Dynamik und das Obertonverhalten eines voll aufgedrehten Röhrenverstärkers mit seiner typischen Endstufenverzerrung zu replizieren. Durch zurückdrehen des Lautstärkereglers der Gitarre stehen dutzende weitere Sounds zur Verfügung. Die Regelmöglichkeiten umfassen Lautstärke, Drive, Tone sowie einen mini Toggle- schalter.
219,-
219,-
259,-
259,-
Fulltone Clyde Standard Wah
Das Fulltone Clyde WAH-WAH Pedal entstand nach eingehender Analyse von Michaels Fuller's 25 Stück umfassender VOX- Sammlung. Da ihm die alten VOX- Teile nicht genug Regelweg hatten, entwickelte er sein eigenes Pedalgehäuse, welches seinen Vorstellungen entsprach. Auf der handverdrahteten Platine findet man erlesene Bauteile wie z.B. Kohle-Schicht Widerstände, NOS (New old Stock) "Tropical Fish" 0,22 Kondensatoren, GE (General Electric) 0,1 Kondensatoren sowie natürlich die speziell nach Fulltone Angaben gefertigte Spule. Durch die s.g. "Resonace Control" ein Trimm Potit auf der Platine läßt sich die Bass-Wiedergabe je nach persönlichem Geschmack regeln. Das ebenfalls speziell für Fulltone angefertigte "TONE POTI" verfügt über die gleiche Kennline. welche man bei den "Icar" Potis der 60er Jahre VOX Ära findet. Das Ergebnis ist auf Michael Fullers CD auf dem Titel "When I feel this way" zu hören.
199,-
199,-
Fulltone Catalyst
Der Catalyst ist ein extrem flexibles Boost/Distortion/Fuzz Pedal. Fulltone eliminiert mit dem Catalyst einige Probleme die man normalerweise bei Fuzz Pedalen vorfindet und so lässt sich der Catalyst mit der einer Vielzahl von Pedalkombinationen und Amps betreiben.
169,-
169,-
Fulltone FatBoost 3
Der Class A FET (Feld Effekt Transistor) gesteuerte Schaltkreis des Fat Boost erlaubt eine Verstärkung des Signals um bis zu 35db ohne Ihren ganz persönlichen Ton zu verändern. Weiterhin besteht die Möglichkeit den Sound anzudicken/ verzerrren oder aber transparenter werden zu lassen. Der Fat Boost verfügt über einen True-Bypass Schalter und eine spezielle LED mit 180 Grad linse die es ermöglicht den eingeschalteten Zustand des Gerätes von fast jedem Winkel zu erkennen.
249,-
249,-
Fulltone Secret Freq
This is the Fulltone “Secret Frequency. “Secret Freq.” for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound. Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your “bread and butter” OD/Distortion pedal. But the ‘Freq has WAY more tricks in its bag than your average transparent OD/Distortion... it just may knock a handful of OD/Distortions right off your ’board thanks to another innocent looking knob labeled “Freq.”. Turn it Clockwise and a (Patent Applied For) circuit adds as much as 20db of active narrow band juicy MIDRANGE right where it does the most good, it‘s like installing a wah-wah right where the distortion is being generated. But unlike turning on your wah-wah along with a distortion pedal, with the ‘Freq. the bass and treble frequencies don't disappear...
269,-
269,-
Fulltone TruePath ABY Hard…
True-Path, the best ABY boxes money can buy, period. Only 5.25" x 4" so it'll fit anywhere. One has silent soft switches... that's the "ST" (Soft Touch, the white version). One has a Hard click in the switch (only for the driver's feel & not evident through the amp)... the "HT" (Hard Touch, the black version). You may just find that the Fulltone True-Path ABY guitar switcher is the most tonally-transparent switcher you've ever used. Fulltone packed the True-Path ABY with top-notch components to make sure that your tone sounds the same on the way out as it does on the way in. And to match your tastes, there's also a switchable JFET buffer on each channel to help drive long signal chains without losing tone. But the best part of the True-Path ABY's innovative design is that you'll never hear a "pop" through your amp when you're switching.
219,-
219,-
189,-
189,-
Fulltone OctaFuzz
Eine Kopie des berühmten Tycobrahe Octavia cool octave up sounds à la Hendrix "Band of Gypsies" and Jeff Beck's "Wired" Albums. Durch den neuen toggle Schalter kann man nun zwischen dem Fuzz mit hinzugefügter Octave und dem reinen Fuzz Sound wählen. Das Pedal wird hierdurch erheblich flexibler und der Fuzz alleine klingt wirklich supergut. Wird von Scott Henderson, George Lynch und vielen anderen Top-Musikern verwendet. Ein muss für alle Hardcore Hendrix Fans!
239,-
239,-
Fulltone Supa-Trem
Man verwendet die gleichen, sehr natürlich klingenden "Vactec Foto Cellen", wie man sie in Fender Vintage Verstärkern findet. Weitere hochwertige Materialien, wie z.B. Metall Film Widerstände, teflon- ummantelter Draht garantieren hohe Zuverlässigkeit und bieten einen besseren Sound.
190,-
190,-
Fulltone 70 Fuzz Pedal
Hierbei handelt es sich um einen Nachbau des Dallas-Arbeiter Fuzz Face, das ab etwa 1970 mit Siliciumtransitoren (Typ:BC-183L) gebaut wurde. Damit fällt der Fuzz Sound gleich härter und schneidender aus, die Germanium-Variante klingt eindeutig wärmer und mittenbetonter. Als Hörbeispiel sei Jimi Hendrix Live Album "Band of Gypies" empfohlen. Die jetzt vorliegende Version entstand, nachdem Michael Fuller das blaue Fuzz Face von Eric Johnson, welches er auf den Alben "Tones und A Via Musicom" verwendete, einige Zeit in seiner Werkstatt hatte und nach gründlicher Analyse einige schaltungstechnische Besonderheiten übernehmen konnte. Ein neues Trimpoti im Inneren regelt nun zusätzlich den Bass-Bereich.
299,-
299,-
Fulltone Mini DejaVibe
Die vorhergehenden "golden Farbenen" Geräte wurde nochmals überarbeitet und das neue Mini Deja Vibe ist nun in der gleichen Gehäusegröße untergebracht wie z.B. der Fulldrive 2. Fulltone war eine der die ersten Firmen die eine originalgetreue Kopie des legendären Uni Vibes* auf den Markt brachte. Die nun Vorliegende Version verfügt nochmal überarbeitete Photozellen die extat dem Original entsprechen. Das Gerät kann nun mit einem Handelsüblichen 9 Volt DC Netzteil betrieben werden, wobei die Spannung aus Soundgründen intern auf 18 Volt hochtransformiert wird. Mit dem zusätzlichen mini Toggle kann man zwischen dem Warmen Original "Uni Vibe" Sound oder einer etwas transparenteren Variante wählen.
289,-
289,-
Fulltone MDV2 Mini DejaVibe…
Das Fulltone Mini Deja Vibe 2 entspricht klanglich dem bekannten Deja Vibe . Die Geschwindigkeit wird mittels Fußpedal eingestellt. Das Gehäuse wurde verkleinert und das Gerät findet nun im Clyde Wah Wah Gehäuse platz. Regelmöglichkeiten : Volume, Speed (via Pedal), Intensity, Chorus/Vibrato, Vintage/Modern.
1279,-
1279,-
Fulltone TTE Delay Effect T…
It used to be that no delay could quite replicate the natural, warm, and shimmery tones of an old Echoplex tape echo—enter the Fulltone TubeTapeEcho, or TTE. Old tape echoes used to be noisy and unreliable, but the Fulltone TTE is dead quiet and features revamped electronics, tape transport path, and even the tape cartridge itself to near-overkill, producing less noise than most delay pedals. The TTE effect pedal can provide anywhere from a quick slapback to over 2 seconds of delay time. There is a top-panel-mounted, dual-speed toggle switch to choose between Hi-Speed and Lo-Speed operation. Hi-Speed gets you lots of Highs, less Bass, and a True Repeat without the Pitch variation of the old Echoplex. Lo-Speed is warm, with lots of Bass, less highs, and a slight "warble" that imparts a natural chorus.
219,-
219,-
Fulltone Plimsoul
PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it...you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.
219,-
219,-
Fulltone Soulbender
Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings. Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding. The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
219,-
219,-
Fulltone 69 MkII
This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick. If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking. Specifications subject to change at any given moment due to availability... and whimsy. True-Bypass w/LED is standard equipment to preserve tone when the pedal is off!
269,-
269,-
Fulltone TruePath ABY Soft…
True-Path, the best ABY boxes money can buy, period. Only 5.25" x 4" so it'll fit anywhere. One has silent soft switches... that's the "ST" (Soft Touch, the white version). One has a Hard click in the switch (only for the driver's feel & not evident through the amp)... the "HT" (Hard Touch, the black version). You may just find that the Fulltone True-Path ABY guitar switcher is the most tonally-transparent switcher you've ever used. Fulltone packed the True-Path ABY with top-notch components to make sure that your tone sounds the same on the way out as it does on the way in. And to match your tastes, there's also a switchable JFET buffer on each channel to help drive long signal chains without losing tone. But the best part of the True-Path ABY's innovative design is that you'll never hear a "pop" through your amp when you're switching.
e-mail
e-mail
Fulltone Robin Trower Overd…
Touch responsive, huge sounding, sustain for days... and crystal clear when the guitar's volume knob is reduced for great live dynamics. Being that Robin uses Fenders as well as Marshalls, it had to work well with both types...it does. And Robin hits so hard that the front end of the pedal had to be tuned for those .012-.048 tuned-down strings...the RTO holds tight and smooth for Strat and Les Paul players alike.
48,-
48,-
Fulltone GS15-SS 15Ft Strai…
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
48,-
48,-
Fulltone GS15-AS 15Ft Angle…
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
44,-
44,-
Fulltone GS10-SS 10Ft Strai…
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
Dienstag - Freitag:
10:00 - 18:00 Uhr
Donnerstagabend:
19:00 - 21:00 Uhr
Samstag:
10:00 - 17:00 Uhr
10:00 - 18:00 Uhr
Donnerstagabend:
19:00 - 21:00 Uhr
Samstag:
10:00 - 17:00 Uhr
