Boss DA-2 Adaptive Distortion
Dank Multi-Dimensional Processing (MDP) liefert das DA-2 Effektpedal perfekte Verzerrung über den gesamten Tonumfang der Gitarre.
• BOSS-Pedal der neuesten Generation mit Rolands innovativer MDP-Technologie und Custom-DSP-Chip
• Anpassungsfähige Verzerrung für den perfekten Sound über alle Frequenzen
• Reagiert sensibel auf Veränderungen der Lautstärke und Spieldynamik
• Glasklarer Sound auch beim Spielen von zwei oder mehr Tönen gleichzeitig
• Extrem geringes Rauschen auch bei High-Gain Settings
• Intuitive Bedienung wie bei Standard-Distortion-Pedalen
Rolands innovative MDP (Multi-Dimensional Processing)-Technologie analysiert Audiosignale in vielen Dimensionen und ordnet jedem Signal den idealen Effekt zu. Indem sie in Echtzeit verschiedene dynamische Modifikationen am Eingangssignal vornimmt, erschafft die MDP-Technologie neuartige Sounds mit einer nie dagewesenen Ausdruckskraft.Anders als herkömmliche Distortion-Pedale, die das gesamte Gitarrensignal mit einem einzigen Effekt bearbeiten, nutzt die MDP-Technologie des DA-2 mehrere Distortion-Prozessoren, um den Klang in Echtzeit zu formen und dabei den idealen Sound für jede Frequenz zu finden. Im Ergebnis liefert das DA-2 eine satte, harmonische Verzerrung für jeden Ton - vom definierten, straffen Sound in tiefen Lagen bis zu singenden Höhen für sahnige Leads. Und das, ohne die Effekteinstellungen verändern zu müssen. Die Power der MDP-Technologie verleiht der Distortion des DA-2 eine überwältigende Fähigkeit zur Anpassung an die Spieldynamik, sodass jeder Ton klar definiert wahrgenommen wird.
Mesa Boogie Throttle Box
Die THROTTLE BOX bedient mit hohen Gain Reserven alle Rock/Heavy/HighGain Musikstile. Obwohl ihre Stärke im Bereich der High-Gain Sounds liegt, bewahrt sie immer den charakteristischen Grundsound der verwendeten Gitarren. Niedrige Gain Einstellungen liefern Blues und Classic Rock Sounds. Neben der allgemeinen Klangregelung verfügt dieses Pedal über eine regelbare Mittenabsenkung, womit die legendären Boogie Sounds mit der „V“ Equalizerkurve produziert werden können.
Fender Competition Distortion
The Fender Distortion pedal drives your favorite tube or solid-state amp into thick distortion and singing sustain, evoking the edgy hard-rock tones of the ’70s and ’80s. Great with many different amplifiers, it’s responsive enough that you can use your guitar’s volume control to adjust the exact amount of distortion desired, from aggressive crunch to full-on saturation. Use it to create your distorted tone or as a boost for higher-gain rhythm and solo tones.
EBS Billy Sheehan Signature Drive
EBS and Billy Sheehan joined forces to release the Billy Sheehan Signature Drive pedal, a signal processing device offering the possibility to achieve the sound of a legend!
This pedal is a distillate of several important principles in the signal chain for the bass. Distorting a bass is always tricky to undertake as you lose note to note differentiation as well as muddying up the lower frequencies
EBS has solved this in conjunction with Billy Sheehan's own requests to have a pedal that can run two signals, distort one, and re-combine, and mix after much like he has run in similar decades of playing
It does just this plus allows an unlimited possibility of pre-post mix tone shaping by including a loop for each signal path. The user can insert anything they wish within the loop for unique and personally stylized tonality.
The pedal itself sounds absolutely wonderful, but the feature of being modified by the user's choise of insert components makes it useful for anyone playing in any style.
EBS AD-9 Power Supply not included!
Seymour Duncan SH6 Distortion Mayhem Set
High output humbucker built for aggressive playing styles. Recommended for old school metal, nu-metal, gothic, garage, punk, thrash and other heavy rock styles. Great for drop tunings.
This matched duo of SH-6 Duncan Distortion™ humbuckers delivers tremendous power for raw, distorted, heavy rock tone.
Duncan Distortions™ combine massive ceramic magnets with a pair of over-wound coils for the ultimate heavy guitar sound. With one pickup specially calibrated for the bridge position and the other for the neck, this matched pair lets you go from chunky, low-end, power chords to raging leads with aggressive harmonics. These pickups are perfect for drop-tunings, and both include four-conductor wiring for trick switching options. A wiring diagram and mounting hardware are included.
The bridge model is designed for bridges with traditional string spacing of 1.925" or 48.9mm measured over the bridge pickup.
Available for both neck and bridge positions. Often a Distortion bridge is paired with an SH-2n Jazz Model in the neck for good clean tones and versatility.
For balanced and warm instruments. Works especially well with rosewood fingerboards.
John Connolly / Sevendust (bridge), Jerry Horton / Papa Roach (bridge), Meegs Rascon / Coal Chamber (bridge), Wayne Static / Static X (bridge), Eric Peterson / Testament (bridge)