Carl Martin Single Channel AC-Tone
The new `single channel` AC-Tone, is a smaller pedal-board friendly, single channel version of the original Pro-Series AC-Tone. It features 3 knobs and 1 switch and has a slightly beefed up Gain section, but shares the very same tone as its big sister!
The single AC-Tone also incorporates our new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered AC-Tone. This allows us to use the same high quality components which provide the same tone and headroom that make the CM Pro-Series pedals stand out from the rest!
Carl Martin Single Channel Plexi Tone
The new `single channel` Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete's slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone....it just plays better with different amps. The single Plexi also incorporates our new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered PlexiTone. This allows us to use the same high quality components which provide the same tone and headroom that make the CM Pro-Series stand out from the rest!
Bogner Ecstasy Blue
The Ecstasy amplifier was born in 1992 and decades later Bogner is still hand building each amp, one at a time, right here in Los Angeles, California. The Ecstasy blue pedal captures the classic blue channel tone of this legendary amplifier, acclaimed for its ability to deliver iconic and classic rock-n-roll crunch. Everyone knows that blue delivers stunning Plexi tones, but when the going gets rough, make no mistake - blue can crush on demand. Reinhold designed the Ecstasy blue pedal with four discrete Class A gain stages and with no op-amps or diode clipping, mirroring the circuitry of the Ecstasy amplifier’s blue channel. This revolutionary approach provides clarity, touch sensit ivity and note separation never before achieved in overdrive pedals. The Ecstasy blue is powered by a standard 9V battery or 9VDC power supply. Reinhold’s advanced circuitry internally elevates the voltage a substantially higher level. This higher voltage provides a greater dynamic range which closely resembles the feel of the Ecstasy amplifier’s legendary tube design.
Bogner Ecstasy Red
The Ecstasy amplifier was born in 1992 and decades later Bogner is still hand building each amp, one at a time, right here in Los Angeles, California. The Ecstasy red pedal captures the mystical red channel tone of this legendary amplifier, famous for its incendiary higher gain crunch and lead tones. Using interactive controls to adjust gain and EQ settings, the red pedal delivers a wide range of expressive tones from vintage overdrive to ripping modern high gain. Ideal for aggressive playing styles, the red pedal boasts the outrageous heavy tones that get Bogner amps into the backlines of rock’s most notable players. Reinhold designed the Ecstasy red pedal with five discrete Class A gain stages and with no op-amps or diode clipping, mirroring the circuitry of the Ecstasy amplifier’s red channel. This revolutionary approach provides clarity, touch sensitivity and note separation never before achieved in overdrive pedals. The Ecstasy red is powered by a standard 9V battery or 9VDC power supply. Reinhold’s advanced circuitry internally elevates the voltage a substantially higher level. This higher voltage provides a greater dynamic range which closely resembles the feel of the Ecstasy amplifier’s legendary tube design.
Bogner Uberschall
In 2001 Bogner launched the Uberschall amplifier. More than a decade later, Bogner still hand builds each one, right here in Los Angeles, California. Dubbed “Armageddon in a Box”, the ferocious Uberschall pedal derives its thunderous hi-gain tones from the notoriously brutal Bogner Uberschall amplifier. While the Uberschall pedal offers a significant range of classic lower and medium gains, its true nature comes forth when delivering savage, face-melting, high-gain aggression – don’t say we didn’t warn you! Reinhold designed the Uberschall pedal with five discrete Class A gain stages and with diode clipping, mirroring circuitry of the Uberschall amplifier’s high-gain channel. This revolutionary approach provides clarity, touch sensitivity and note separation never before achieved in distortion pedals. The Uberschall pedal is powered by a standard 9V battery or 9VDC power supply. Reinhold’s advanced circuitry internally elevates the voltage a substantially higher level. This higher voltage provides a greater dynamic range which closely resembles the feel of the Uberschall amplifier’s legendary tube design.