BOUTIQUE DISTORTION PEDAL ...

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 50,-
 50,-
 Visual Sound GarageTone Cha… The GarageTone “Chainsaw” Distortion from Visual Sound is a unique and very musical distortion in contrast to its name. Sounding more like an expensive boutique distortion, the pedal is shockingly affordable. With big low-end and just the right amount of mids and highs, this creamy distortion will inspire you. Combine it with the GarageTone Drivetrain or V2 Route 808 pedal to get massive lead tones!
 239,-
 239,-
 Mad Professor Mighty Red Di… Das Mighty Red Distortion Pedal liefert den komprimierten 80er Jahre Hi-Gain Sound. Das Gerät ist sehr flexibel und trotz der enormen Verstärkung extrem Nebengeräuscharm. Das Klangbild wurde so gewählt um Klarheit und Definition trotz „Heavy Distortion“ zu ermöglichen. Der Einstellungsbereich des Gain’s reicht von Mittel bis Stark verzerrten Sounds. Das MRD harmoniert gut mit anderen „Zerr“ Pedalen wie z.B. das Little Green Wonder.
 176,-
 176,-
 Mad Professor Mighty Red Di… MRD has that 80's sound many have longed for but never got before at such low noise levels and versatility. The Presence control was designed to control the upper treble, but not to affect the upper midrange, so that you can get the exact treble you desire. You can master anything from fat warm singing distortion to screaming cutting leads with the MRD's Presence control.
 170,-
 170,-
 Mad Professor Stone Grey Di… Finland’s Mad Professor has always found favor with front-line tone obsessives like Marc Ford and Pete Anderson by building more than simple clones. Instead of following trends, the company has built pedals that capitalized on subtle differences and less-explored formulas—particularly in the realm of overdrive. The Stone Grey Distortion is unique in that it has razor sharp dynamics and high gain intensity. It's ready for drop tuning, 7 string, and modern rock players who are seeking extreme gain with intense "string to string definition".
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e-mail
Youtube Video
 Maxon RTD800 Real Tube II O… The RTD800 features independent Overdrive and Distortion circuits combined with a dual triode tube to offer a massive array of saturated tones, from traditional tube overdrive through full-on gated metal distortion. No other tube overdrive pedal offers this degree of versatility in a single package. Every aspect of the RTD800 has been re-thought and redesigned to provide a lifetime of trouble-free performance. As soon as power is applied to the pedal, an In-Rush Current Control circuit begins heating the tube at a very low voltage (much like a tube amp standby switch) to dramatically extend tube life. When the pedal is engaged, a charge pump circuit bumps incoming voltage to feed the tube with 12.6 VDC.
 145,-
 145,-
 MiAudio Crunch Box Distorti… The Crunch Box Distortion is Demeter's take on high gain British amp distortion. Careful design and development has meant they have achieved their goal of creating a pedal which captures the huge crunch of a Marshall on steroids. Simple and straightforward, with just Gain, Tone, Volume and an internal Presence control. The Crunch Box has some similarities to the Tube Zone, in the sense that the design is based on a multiple clipping architecture (the signal is clipped 3 times). In the lower gain range, the tone is very punchy and throaty. There are some great classic rock rhythm sounds to be found in there. As the Gain control is wound up, the Crunch Box develops a beautiful singing lead tone. Pinch harmonics are a breeze. The Tone control has a wide sweep with a lot of top end.
 202,-
 202,-
Youtube Video
 Fulltone Ultimate Octave Das coole Pedal bietet zwei Betriebs-Modi (Fuzz/Octave) und verfügt über einen hochwertigen True Bypass. Mit dem effektiven Fat/Bright-Switch lässt sich die Performance des Pedals massiv verändern. Dabei liefert "Fat" einen sahnigen, fetten Mitten-betonten Sound. "Bright" ist der Spezialist für massive Scoop-Sounds, mit totaler Mitten-Reduktion und jeder Menge Bässen und Höhen.
 137,-
 137,-
 T-Rex Twin Boost Voller Stolz präsentieren wir das neue Twin Boost Pedal – mit zwei völlig getrennten Kanälen voll purer Power. Twin Boost ist die perfekte Lösung, wenn Du wesentlich mehr Kontrolle brauchst als einfach nur zwischen Rhythmus- und Soloeinstellungen hin- und herzuschalten. Für cleane Rhythmussounds kannst Du den Boost ausgeschaltet lassen; nimm den ersten Boost Kanal für angedickte single-note Linien oder für reine Gitarren Intros, und spar Dir den zweiten Boost Kanal auf, um in die Solosphäre abzuheben.
 269,-
 269,-
Youtube Video
 Wampler Brent Mason Hot Wir… Most people think they’ve never heard of Brent Mason. We would bet that although you may not recognize the name, chances are huge that you have heard him. Brent is, without doubt, the number 1 session musician working out of Nashville and has been since the early 1990’s. Two pedals in one (overdrive and distortion), this is one of the most versatile pedals available. One channel has all your overdrive needs, from a gentle break up to all out crunch, the other gives you dirt... Loads of fat, creamy distortion that is tonally perfect from top to bottom. If need be you can stack them both together for a huge, huge sound. Brent uses this pedal daily in the studio. He uses it live. When it has Brent’s name on it, you know it’s nothing short of perfect.
 146,-
 146,-
Youtube Video
 T-Rex Bloody Mary Mit Bloody Mary bist du der Meister extremer Klangwuchten, unübertroffener Einzigartigkeit und brachialer Verzerrung allein in deinen Fingerspitzen. Die wahre Kraft dieses Biests liegt in der Pentarchie seiner Regelmöglichkeiten mit der vollständigen Kontrolle über Höhen, Mitten und Bässe sowie Verzerrungsgrad und Ausgangslautstärke. Der BODY Schalter fügt deinem Ton noch mehr Macht und Fülle in den Bässen und unteren Mitten hinzu. Angesagte Götter der Metal Szene standen Pate bei der Entstehung dieses Monsters. Bloody Mary wird daher den Dienst nie verweigern und auf allen Fronten bestehen, sei es bei allerhöchsten Jubeltönen, drückenden Power Chords oder superschnellen Leads. Aus den feinsten Metallen getrieben und mit außergewöhnlichen Zeichnungen versehen, lässt schon ihr äußeres Erscheinungsbild jeden Meisterschmied vor Neid erblassen. Bloody Mary wurde erschaffen um jeden, der einen Blick auf sie wagt, wissen zu lassen: „Ich bin ein Geschöpf der blutigen Dunkelwelt, wer mich frei lässt, handelt auf eigene Gefahr!“
 57,-
 57,-
Youtube Video
 Electro Harmonix Micro Meta… Housed in a smaller enclosure than the Metal Muff and with simplified controls the Micro Metal Muff delivers the same aggressive metal drive that made its big brother famous. A wicked sound - a metallurgist's dream. 9-volt battery included.
 376,-
 376,-
Youtube Video
 ZVex Double Rock This pedal was originally designed for J.Mascis of Dinosaur Jr. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses that regularly on stage now, but we did one (or two) better with the one we’re releasing to the public... we made it so you can adjust the sub frequencies (like the Distortron™), and you can convert either channel to a Super Hard-On™. In this way, you can configure the pedal to be two Distortrons cascaded, two Super Hard-Ons cascaded (like a Super Duper 2-in-1™), or a Box of Rock™ with boost, or a Super Hard-On™ (SHO) going into a Box of Rock™. Distortion/boost heaven! Whee!!! Let’s go over the controls: • Drive: Sets the amount of distortion in Distortron™ mode, and sets the amount of boost in SHO mode. It may crackle when turned. This is perfectly normal. • Tone: Adjust for treble content. Start around 2:00 o’clock. This knob only does stuff in Distortron™ mode. • Volume: Adjust for output volume level. • Dis / Boost Switch: Changes the circuit from a Distortron™ to Super Hard-On™ boost. • Subs Switch: “2-1-3” lets you choose the full “Box of Rock” sub amount (3) or two different lower levels of subs depending on your amp’s needs. Only works in Distortron™ mode. Plug your guitar (or any effect’s output) into the right hand input jack. Plug the output into an amp or other effect’s input. Rock out. The two separate stomp switches control whether or not the two distinct circuits are engaged. You can select whether or not the circuit is a Distortron™ or Super Hard-On™ by way of the “DIS / BOOST” toggle. When in Distortron™ mode, set the subs switch so there’s just enough low-end for your amp. Try using your rhythm pickup with the tone control turned all the way down for a vintage bluesy howling lead sound. I recommend that you try the Double Rock™ last in your pedal chain, just before the amp. You can set the amp for your favorite clean tone, and set the Double Rock™ for your favorite distortion/boost tones. Since you can change the first or second stomp switches to either a Distortron™ or Super Hard-On™ (SHO), you can mix and match the two to experience different results... SHO before the Distortron™ will give you more sustain, while after will give you more amp volume (or drive, if you use a distorted amp sound.) Of course, you can use the pedal the way J. Mascis intended by going Distortron™ into Distortron™ or get Super Duper 2-in-1™ tones by cascading the SHOs. If you have other distortion pedals, don’t leave them in the closet! Many distortion pedals sound amazing into the Double Rock™. You may discover a whole new love for your old distortion pedal collection!
 189,-
 189,-
 Providence HBL2 Heat Blaster The Providence HBL-2 Heat Blaster pedal is designed to deliver a modern distortion sound that is rich in harmonics and has a fast attack. Just like a great tube distortion in a compact pedal. This is a sound that won't get buried in any band. What's more, the HBL-2 does not produce the excessive compression that can be a problem with many distortion pedals, for exceptionally natural response. The Heat Blaster is ideal for use with the clean channel of a multi-channel amplifier.
 256,-
 256,-
 Wampler SLOstortion The SLOstortion brings the awesome tone of those killer high-wattage heads and famous preamps together into one package, with a voicing that will be maintained across virtually any setup. No need to worry whether you'll have a good clean tone and a good distorted tone. Just your favorite amp and the SLOstortion to take your tone places walked by some of the best guitar-slingers from the 1980s to today. It features a great three-band EQ to make sure you can have "The Tone" through YOUR setup, whatever it may be. The gain is switchable between two separate modes to capture the nuances and flavor of its inspiration. The normal mode will go from a nearly clean tone to a tight, defined crunch, and the high gain mode goes all out. It's responsive, too, and to top it off, even when the tone is as heavy as it gets, the pedal doesn't squeal and hiss with noise. No sacrifices for your rig.
 209,-
 209,-
 Wampler Crush The Button Players who look for something with a chunky, juicy rhythm and a bit of citrus-flavored thunder in their lead know why Wampler was inspired to make the Wampler Pedals Crush The Button Distortion. There’s a certain color of tone that scratches a unique itch, and for those who have long appreciated the classic and modern sounds of Orange amplifiers, it just makes sense that Wampler would want to create a pedal to honor that sound. Geared toward modern, but capable of classic, the Wampler Pedals Crush The Button Distortion is a loving tribute to the rocking sound that can be found on recordings in a huge variety of genres.
 278,-
 278,-
 Providence FDR1F Flame Driv… The Providence Flame Drive is an extremely versatile overdrive pedal that can deliver anything from sweet, silky overdrive to edgy overtone-rich distortion. It features fast attack response that effortlessly follows the most detailed picking nuances, as well as one of the most coveted characteristics of Free the Tone overdrive effects: eminently musical, amp-like distortion that is never flat or muddy. The Providence Flame Drive can add some serious sonic fire to your sound! The innovative VITALIZER® circuit is included to prevent signal degradation. The VITALIZER® circuit is active even when the effect is off, ensuring that a degradation-resistant signal is being output at all times.
 215,-
 215,-
 T-Rex Mean Machine The Mean Machine is a dual distortion pedal that takes the spirit of early amplifier hot-rodding… and multiplies it exponentially. Like a vintage screaming street racer, the pedal is pared down to the bare essentials: its two channels each feature their own LEVEL, DRIVE and TONE controls, and that’s it. From clean to crunch to distortion, there’s no easing up. Hit the ON switch – even with drive at zero – and you’ll burn rubber. Turn up the gain and you’ll smoke every other player in town, with gorgeous, tight distortion and the most musical feedback you’ve ever heard.
 202,-
 202,-
Youtube Video
 Fulltone GT500 Ge-ni-al! Der Fulltone GT-500 ist quasi ein OCD und ein Fat-Boost in einem Gehäuse. Oder ein Fat Boost und ein OCD...die Reihenfolge, ob zuerst der Zerrer und dann der Boost kommt, oder umgekehrt, ist beim Fulltone GT-500 frei wählbar! Und für sich alleine funktionieren Boost und Zerrer natürlich auch. Soundfanatiker werden diese kleine Kiste lieben.
 189,-
 189,-
 HomeBrew Big D The Homebrew Electronics Big D Distortion Pedal is an extremely versatile overdrive/distortion capable of achieving many different sounds ranging from light bluesy overdrive to modified hi-gain tube amp distortion.
 202,-
 202,-
 Fulltone Plimsoul PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it...you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.
 212,-
 212,-
 Wampler Plextortion The Plextortion is a distortion pedal that was originally designed to emulate a “JCM800®” with Celestion Greenbacks (If you think of those great tones from Back in Black era AC/DC, all the way through to (post DLR) Van Halen, Dokken, Ratt, Guns'N'Roses and all those amazing 80's rock “cranked Marshall” tones). It has a very brown sounding distortion, in a way, quite similar to the Pinnacle pedal.
 215,-
 215,-
 Roger Mayer Voodoo1 The Voodoo-1 has been designed and optimised to suit a wide range of pickups. It is the best choice for humbucking pickups and produces bright clear tone colours that will make solos stand out without sounding too thin. Using single coil pickups and 4 x 12 cabinets gives the addition body with bite that is necessary to cut through. The Voodoo-1, of course is equally happy with combos at low volume and make these small amps sound like big stacks. The distortion produced feels particularly tube like in operation and the Voodoo-1 slips into distortion with silky smoothness and compression characteristics usually only associated with vintage classic tube amplifiers The volume control of the guitar is very effective in controlling the amount of distortion and the guitar cleans up to it's original tone very easily. The Tone control is of advanced design and has been optimised to compliment various pickup types. The Gain control enables the unit to be used as a power booster without distortion up to full maxed out grunge grooviness. The Output control sets the amount of boost required.
 215,-
 215,-
 Roger Mayer Voodoo Bass The Voodoo-Bass is so named because it adds a gutsier bass equalisation to the Voodoo-1 distortion sound. This enables players who favour single coil pickups to reproduce quite effortlessly the rounded, bluesy sound of classic pickups such as the Gibson P90. The comprehensive Gain and Tone variation provided by the Voodoo-Bass enable a very wide range of distortion sounds to be created from the compressed, just clipped sustain of traditional Chicago Blue to the sweet scream of full tube overload. This guitar effects pedal also works very well with Bass Guitar as an increasing number of bass player are rediscovering the joys of adding both compression and distortion to their sound. Electronically the Voodoo-Bass and Voodoo-1 each share all the same features but the equalisation sections have been altered to provide a completely different set of optimised tone response.
 215,-
 215,-
 Roger Mayer Voodoo 1 TC The Voodoo TC Series has been especially designed for those situations where space is at a premium on pedals boards. The small pedal size will help where space is at a premium on your crowded pedal board. The Model Range of the TC Series is based on our existing range but with the added feature of Performance Control which adds a new dimension to the use of our famous effects. The cool new design is inspired by USA Cars of the Fabulous 50's and the distinctive large DRIVE level knob make precise setting a breeze. So the overall packaging has taken small enclosure design a stage further with Performance Foot Control of Drive Level or precise control with your hand. The large knob really making setting up easy. Voodoo 1 TC: The distortion pedal made ​​famous by Michael Landau. Distortion with an edge of fuzz.
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