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Mackie DL1608 Mixer Bag
When it comes to protecting and transporting your DL1608 mixer, you can't beat the bag that's made for it: Mackie's tough, lightweight DL1608 Bag! This road-ready bag has a rugged nylon exterior, so you know it will keep your mixer safe from the elements - and dust free! High-density internal foam cradles your DL1608 mixer in fitted comfort. The DL1608 Bag also features a padded shoulder strap, heavy-duty zippered closures, and a classy embroidered Mackie logo on the outside. Don't settle for a generic bag - keep that mixer safe with a genuine Mackie DL1608 Bag!
Fulltone GS12i-AA 12 Inch Angle Angle
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
Fulltone GS8i-AA 8 Inch Angle Angle
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
Fulltone GS6i-AA 6 Inch Angle Angle
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
Fulltone GS10-SS 10Ft Straight Straight
Cables have a way of putting their own unique stamp on your sound and they do all sound just a little bit different from one another. Some have too much Highs, some not enough, while others have tremendous Bottom-end, at the same time sounding flat and lifeless! Fulltone's Gold Standard™ low-capacitance cables with Gold-Plated ends keep the higher frequencies intact over longer lengths of cord without sounding shrill.
Having said that, a cable that passes more Highs and Lows does not necessarily result in a cable that sounds best for guitar and bass applications, as evidenced by the many expensive cables you may have tried and rejected! Fulltone designed the Fulltone Gold Standard™ specifically for guitarists and bassists, choosing all materials (oxygen-free copper, shield, etc.), construction methods, and plating for a sound not only strong in Lows and Highs, but also rich in the Mid frequencies where all the complex overtones lie, a crucial area often overlooked by other "premium" cables.
Daddario EXL111 Balanced Light
Developed for the electric guitar, the EXL111 Balanced Tension Set was designed using scientific formulas that create an equal feel between all of the strings. This kind of separation allows for each string to be played with the same downward force and flexibility across the set. The Balanced Tension set will be available in .010 - .046 gauges.
Samson SRK 16
De Samson SRK16 is een 16HE 19" rack. Het rack wordt geleverd als pakket inclusief blindplaat (met Samson logo), euro 19" montage strips + "locking casters", schroeven (standaard voor zowel USA als EURO formaat bijgeleverd) en 4 stevige transportwielen. Het rack is gefabriceerd van robuust zwart gelakt staal en heeft volledig gesloten zijkanten (met ventilatie roosters).
RME HDSP Cardbus
In the year 2001 RME started a revolution in mobile audio recording: the HDSP System, consisting of a CardBus card (or PCI card / PCI Express card) plus an external I/O-box has been the world's first audio system, operating at both desktop and laptop. And the world's first professional multitrack system for notebooks at all. In the year 2005 we are proud to look back and conclude: the HDSP system has become a true 'industry standard'. Thanks to continuing firmware and driver updates it stayed a cutting-edge product, still offers un-beaten performance, and still enjoys great popularity among the users. PCI and CardBus have not been surpassed by any other interface technology for professional audio - no other solution can keep up regarding low Latency and lowest CPU load. Also in regards of competition RME's HDSP system is still unsurpassed after 4 years. No other manufacturer offers such a flexible, robust, performing and expandable solution.
For the Hammerfall DSP I/O-boxes Digiface, Multiface and RPM, RME have developed a world-exclusive PCMCIA type II card in Zero wait state CardBus Busmaster technology. With up to 130 MB/s transfer rate in both directions the same basic performance is provided on a notebook as a PCI card would offer on a desktop computer. Additionally the card offers highest compatibility by being 100% Plug & Play compatible under Windows and Mac OS, and being able to share interrupts. The card itself will only use one interrupt (IRQ) for all functions (audio/MIDI.)
The connection between CardBus card and I/O-box is established using ordinary FireWire cable (6-pin IEEE 1394a). The data transfer does not use FireWire protocol, but a proprietary bus protocol by RME. The supplied cable has a length of 4 m (12 ft.). The CardBus card does not provide power to the attached I/O-box. Therefore a compact and light-weight hi-tech switch-mode power supply is included. The CardBus shown ships since mid 2005. In case two HDSP CardBus shall be used in one laptop, the lower card must be a flat version, which is also available. It uses a special cable (15-pin Closed LAN to 6-pin IEEE1394a, included), with a length of 4 meters (12 ft.). The flat card is 100% identical and compatible, but does not offer the Secure BIOS technology of the upper version.
Reloop Terminal Mix 4 Case LED
In addition to protection and stability, the new Reloop LED Cases sports a splendid appearance. Thanks to modern LED technology, a DJ gig shines with stylish LED colors that can be varied by remote control easily and quickly. Also different modes, such as flash, strobe, fade and smooth be realized with the LED Case. The Terminal Mix 4 Case LED is not only visually convincing: The rugged design can also maintain during long transports to the next gig and protects the valuable interior thanks to generous padding.
SM Pro Audio DIDock White
Designed to support portable audio devices in the field, the DIDock delivers audio signal conversion from connected devices to a fully balanced transformer isolated stereo output pair. Many portable audio devices tend to introduce increased levels of noise when connected to larger professional PA systems. The DIDock solves many of the issues typically encountered when introducing consumer-based products into professional environments. A must have tool for roadies, engineers, or musicians wishing to integrate portable audio devices. The DIDock is available in black or white!
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